1
" There are very few things in the mind which eat up as much energy as worry. It is one of the most difficult things not to worry about anything. Worry is experienced when things go wrong, but in relation to past happenings it is idle merely to wish that they might have been otherwise. The frozen past is what it is, and no amount of worrying is going to make it other than what it has been. But the limited ego-mind identifies itself with its past, gets entangled with it and keeps alive the pangs of frustrated desires. Thus worry continues to grow into the mental life of man until the ego-mind is burdened by the past. Worry is also experienced in relation to the future when this future is expected to be disagreeable in some way. In this case it seeks to justify itself as a necessary part of the attempt to prepare for coping with the anticipated situations. But, things can never be helped merely by worrying. Besides, many of the things which are anticipated never turn up, or if they do occur, they turn out to be much more acceptable than they were expected to be. Worry is the product of feverish imagination working under the stimulus of desires. It is a living through of sufferings which are mostly our own creation. Worry has never done anyone any good, and it is very much worse than mere dissipation of psychic energy, for it substantially curtails the joy and fullness of life. "
― Meher Baba , Discourses
3
" There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability. "
― Oliver Sacks , Musicophilia: Tales of Music and the Brain
6
" A siege is always a hospital - a hospital where mad thoughts abound and where mad things are done; where, under the stimulus of an unnatural excitement, new beings are evolved, beings who, while having the outward shape of their former selves, and, indeed, most of the old outward characteristics, are yet reborn in some subtle way and are no longer the same....The salt of life! Is it true, or is it merely a mistake, such as life-loving man naturally makes? For it can be nothing but the salt of death which has lain for a brief instant on the tongue of every soldier - a revolting salt which the soldier refuses to swallow and only is compelled to with strange cries and demon-like mutterings. Sometimes, poor mortal, all his struggles and his oaths are in vain. The dread salt is forced down his throat and he dies. The very fortunate have only an acrid taste which defines analysis left them. Of these more fortunate there are, however, many classes. Some, because they are neurotic or have some hereditary taint, the existence of which they have never suspected, in the end succumb; others do not entirely succumb but carry traces to their graves; yet others do not appear to mind at all. It is a very subtle poison, which may lie hidden in the blood for many months and years. I believe it is a terrible thing....And yet even this nobody understands or cares to speak of... Englishmen are proud, and want to know if you were inside the British Legation, their Legation, and when they have heard yes or no their interest ceases. They little know what the Legation stood for. The Americans march up to the Tartar Wall, talk about " Uncle Sam's boys," and exclaim that it requires no guessing to tell who saved the Legations. The French are the same, so are the Germans, so even the Italians. Only the Japanese and the Russians say nothing....I am, therefore, tired of it all, inexpressibly tired. I wish to escape from my hospital, to go away to some clean land where they understand so little of such things that their indifference will in the end, perhaps, convince me and make me forget.Yet can one ever forget? "
9
" An anchorite’s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle to a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It’s a good place to live; there’s a lot to think about. The creeks are an active mystery, fresh every minute. Theirs is the mystery of the continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection. The mountains are a passive mystery, the oldest of them all. Theirs is the simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home. "
― Annie Dillard
12
" Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust. "
― Italo Calvino , If on a Winter's Night a Traveler