3
" In the whole vast dome of living nature there reigns an open violence. A kind of prescriptive fury which arms all the creatures to their common doom: as soon as you leave the inanimate kingdom you find the decree of violent death inscribed on the very frontiers of life. You feel it already in the vegetable kingdom: from the great catalpa to the humblest herb, how many plants die and how many are killed; but, from the moment you enter the animal kingdom, this law is suddenly in the most dreadful evidence. A Power, a violence, at once hidden and palpable. . . has in each species appointed a certain number of animals to devour the others. . . And who [in this general carnage] exterminates him who will exterminate all others? Himself. It is man who is charged with the slaughter of man. . . The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death. "
― Joseph de Maistre , St Petersburg Dialogues: Or Conversations on the Temporal Government of Providence
6
" Yea, she hath passed hereby, and blessed the sheaves,
And the great garths, and stacks, and quiet farms,
And all the tawny, and the crimson leaves.
Yea, she hath passed with poppies in her arms,
Under the star of dusk, through stealing mist,
And blessed the earth, and gone, while no man wist.
With slow, reluctant feet, and weary eyes,
And eye-lids heavy with the coming sleep,
With small breasts lifted up in stress of sighs,
She passed, as shadows pass, among the sheep;
While the earth dreamed, and only I was ware
Of that faint fragrance blown from her soft hair.
The land lay steeped in peace of silent dreams;
There was no sound amid the sacred boughs.
Nor any mournful music in her streams:
Only I saw the shadow on her brows,
Only I knew her for the yearly slain,
And wept, and weep until she come again. "
― Frederic Manning
8
" But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark. "
― Frédéric Gros , A Philosophy of Walking
10
" It was his first definite encounter with the wary-eyed, platitudinous, evasive Labour leaders, and he realised at once the formidable barrier ofinert leadership they constituted, between the discontented masses and constructive change. They seemed to be almost entirely preoccupied byinternecine intrigues and the " discipline of the Party" . They were steeped in Party professionalism. They were not in any way traitors to their cause, or wilfully reactionary, but they had no minds for a renascent world. They meant nothing, but they did not know they meant nothing. They regarded Rud just as in their time they had regarded Liberalism, Fabianism, Communism, Science, suspecting them all, learning nothing from them, blankly resistant. They did not want ideas in politics. They just wanted to be the official representatives of organised labour and make what they could by it. Their manner betrayed their invincible resolution, as strong as an animal instinct, to play politics according to the rules, to manoeuvre for positions, to dig themselves into positions -- and squat... "
11
" She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious.The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, " Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community.Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop. "
12
" The conundrum of the twenty-first (century) is that with the best intentions of color blindness, and laws passed in this spirit, we still carry instincts and reactions inherited from our environments and embedded in our being below the level of conscious decision. There is a color line in our heads, and while we could see its effects we couldn’t name it until now. But john powell is also steeped in a new science of “implicit bias,” which gives us a way, finally, even to address this head on. It reveals a challenge that is human in nature, though it can be supported and hastened by policies to create new experiences, which over time create new instincts and lay chemical and physical pathways. This is a helpfully unromantic way to think about what we mean when we aspire, longingly, to a lasting change of heart. And john powell and others are bringing training methodologies based on the new science to city governments and police forces and schools. What we’re finding now in the last 30 years is that much of the work, in terms of our cognitive and emotional response to the world, happens at the unconscious level. "
― , Becoming Wise: An Inquiry into the Mystery and Art of Living
13
" An historian is a kind detective in search of the fact — remote or otherwise - that brings to a set of events apparently unconnected with each other, the link that unites them, their justification, their logic.
You cannot imagine what great delights this profession affords. It’s as if, in every incunablum, consumed by worms and steeped in boredom, in every inarticulate scrawl, in every collection of forgotten chronicles, there presides a mischievous sprite, winking at you, who at the appropriate time confers on you your reward in the form of renewed wonder. "
― Jacques Yonnet , Paris Noir: The Secret History of a City
17
" He does not look at the dancers, does not acknowledge her, sitting and staring. He is steeped in a private aural world. He drew out longer notes than her papa ever had; he was more forceful with the bow; she hadn't known the violin contained such wildness. She was reminded of the tarantella, which skipped along its notes and pulled you upward; out of yourself, come and play! But these pieces, these tangos, didn't only lift; they also plunged you downward, deep inside yourself, to the unexamined corners of your heart. Come, they whispered, come and look, see what's here and dance with it, this is music too. "
― Carolina De Robertis , The Gods of Tango
18
" Even more remote from his way of thinking, even more impossible than any other thought, would have been words such as this: “Is it only I alone who have created this experience, or is it objective reality? Does the Master have the same feelings as I, or would mine amuse him? Are my thoughts new, unique, my own, or have the Master and many before him experienced and thought exactly the same?” No, for him there were no such analyses and differentiations. Everything was reality, was steeped in reality, full of it as bread dough is of yeast. "
― Hermann Hesse , The Glass Bead Game
19
" Has there ever been a more important subject, in all the world, than children and families? These are, after all, the foundation and ultimate purpose of any society. Moreover, the overall purpose of this experience is not merely survival or just the day after day (after day) exercise of going through the motions of meeting basic needs. Rather, it was meant to be a long, deep immersion of a work in progress, a life-long celebration of sorts, steeped in love, beauty, and joy. Anything less is a travesty and is tragically off the mark of true success for the parent and the child, and amiss of the essentials for a fullness of life for both. "
― Connie Kerbs