steam QUOTES

21 " I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.”

That was when Riley walked out of the shadows. “Got an itch, kitty?”

Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?”

“When you're talking loud enough to wake the dead?”

She swore she could feel steam coming out her ears. "

― Nalini Singh , Branded by Fire (Psy-Changeling, #6)

23 " LOOKING

The world goes by, and what have I to do with it? I merely observe how the geese stretch their necks towards the orange rim of sky. I watch how light fades and children make their way home, hungry and tired. The bushes outside become ghosts while baths run and kitchen windows steam up with the cooking. This is the smell of our home, where I have a place in the wrinkled hours making beds and hugging boys awake. This is the sound of the house where I feel out lives into words, translate ragged nights and days into something whole, or try to. You may look if you wish..... The world goes by, and what have you or I to do with it, except perhaps for looking... ? "

― Jay Woodman , SPAN

25 " I have a date,' he explained. 'This is an emergency.' He paused to catch his breath. 'Do you know' - breath - 'how to iron?' I walked over to the pink shirt. It was wrinkled like an old woman who'd spent her youth sunbathing. If only the Colonel didn't ball up his every belonging and stuff it into random dresser drawers. 'I think you just turn it on and press it against the shirt, right?' I said. 'I don't know. I didn't even know we had an iron.' 'We don't. It's Takumi's. But Takumi doesn't know how to iron, either. And when I asked Alaska, she started yelling, " You're not going to impose the patriarchal paradigm on me." Oh God, I need to smoke. I need to smoke, but I can't reek when I see Sara's parents. Okay, screw it. We're going to smoke in the bathroom with the shower on. The shower has steam. Steam gets rid of wrinkles, right? "

27 " Historians are wont to name technological advances as the great milestones of culture, among them the development of the plow, the discovery of smelting and metalworking, the invention of the clock, printing press, steam power, electric engine, lightbulb, semiconductor, and computer. But possibly even more transforming than any of these was the recognition by Greek philosophers and their intellectual descendants that human beings could examine, comprehend, and eventually even guide or control their own thought process, emotions, and resulting behavior.

With that realization we became something new and different on earth: the only animal that, by examining its own cerebration and behavior, could alter them. This, surely, was a giant step in evolution. Although we are physically little different from the people of three thousand years ago, we are culturally a different species. We are the psychologizing animal. "

― Morton Hunt , The Story of Psychology

29 " You worked at night, when the shadows masked you and you were little more than a dream. You hid in the forest or the mountains, away from the steam engines and the lamps of the cities, the things that would expose you, confirming you and stripping you of your mystery. You showed yourself rarely, and only to the ones who needed to see you. After the free-for-all that was the earlier Chapters, when babies were stolen, young men murdered and maidens locked away, the fae had had to learn to be very careful about their involvement in the lives of the characters, lest they turn still further away from their beliefs. "

― F.D. Lee , The Fairy's Tale (The Pathways Tree, #1)

31 " They’re close. Voices loud and fierce, Slapping faces with words. A scream … A cry … They’re getting closer.Did I lock the door? It’s too late to check. They’re coming. I barely move, barely breathe. Perhaps they’ll go away. But they’re getting closer.The door slams against the wall. My eyes squeeze shut. This curtain is not a shield. They’re here. They’ve come for me. I freeze.Metal rings clank together. My barrier is cast aside. Wearily, I look. Reddened eyes glower at one another … But not at me. I wonder.A moment of silence … Water streams down my face. Steam rolls around my flesh. I glare at the intruders And slide the curtain between us. I wait.He shrieks, “She took my glow stick!” She howls, “No, I didn’t!” I scowl. “Go tell your father about it.”They leave. I inhale the lavender mist. Slather bubbles over my skin. Five more minutes … And, next time, I shall lock the door. "

33 " The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock.
But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else.
The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side.
Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully.
All of this takes hours.
The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played.
At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern.
After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes.
By noon it is a clock again, and no longer a dream. "

― Erin Morgenstern , The Night Circus

35 " We have to think of a question that we wouldn't otherwise want to answer.'

He stood over the pot, looking down at the leaves. 'Something like, Who do you fancy?'

'That might work,' I said, even though it was the last question I wanted to answer. But it was impossible, suddenly, to tell a lie.

Benjamin took a deep sniff over the steam and turned to me. 'All right,' he said. 'So who do you fancy?'

I hesitated. 'Fancy means like, right?' I said stalling.

'Of course.'

I gritted my teeth against the answer coming out. but I couldn't stop myself. 'You,' I said helplessly. "

― Maile Meloy , The Apothecary (The Apothecary, #1)