8
" My mom’s smile is genuine,A lilac beamingIn the presence of her Sun.Indentions in the sand proveTime’s linear progression,Her hair yet unblighted,Carrying midnight’s consistency.Clear tracks fading as theMovement slips furtherIn the past.CheekbonesHigh, soft,In summer’s hue,Hopeful.Each step’s unknown impact,A future looking back.My father’s strength:One whoseLife is in his arms.Squinting past the camera,He rests upon a rockLike caramel corn half eaten,Just to the leftOf man-made concrete conventionDaylight’s eraserRemoving color to his right.Dustin sitsIn my father’s lap,Open mouth of a droolingBig mouth bass;Muscle toneOf a well exercisedJelly fish,He looks at meHalf aware;His wheelchairPerched at the edgeOf parking lot gravel graftedLike a scar on nature’s beach,Opening to the ironic splendorOf a bitter tasting lake.I took the picture.Age 11.Capturing the pinnacle arcOf a sonTo my lilacWhoOutlived him and weeps,Still.Their sky has staple holes –Maybe that’s how theLightLeaked out. "
11
" Every adult life could be said to be defined by two great love stories. The first - the story of our quest for sexual love - is well known and well charted, its vagaries form the staple of music and literature, it is socially accepted and celebrated. The second - the story of our quest for love from the world - is a more secret and shameful tale. If mentioned, it tends to be in caustic, mocking terms, as something of interest chiefly to envious or deficient souls, or else the drive for status is interpreted in an economic sense alone. And yet this second love story is no less intense than the first, it is no less complicated, important or universal, and its setbacks are no less painful. There is heartbreak here too. "
― Alain de Botton , Status Anxiety