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splendid  QUOTES

124 " This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might--though he didn't look like it--welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined. . . . To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand. . . .Fervent desire, so every psychist affirms, is never barren. It conveys something of its yearning to the consciousness to which it is directed, and there began to break on the dull male mind what had been so obvious to the finer feminine sense of Adele. Once again, and in the blaze of publicity, Lucia was full of touches and tweaks, and the significance of them dawned, like some pale, austere sunrise, on his darkened senses. The situation was revealed, and he saw it was one with which he could easily deal. His gloomy apprehensions brightened, and he perceived that there would be no need, when he went to stay at Riseholme next, to lock his bedroom-door, a practice which was abhorrent to him, for fear of fire suddenly breaking out in the house. Last night he had had a miserable dream about what had happened when he failed to lock his door at The Hurst, but now he dismissed its haunting. These little intimacies of Lucia's were purely a public performance." Lucia, we must be off," he said loudly and confidently. " Pepino will wonder where we are. "

129 " When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling. "

Jun'ichirō Tanizaki , In Praise of Shadows

131 " I went on writing reviews for the newspaper, and critical articles crying out for a different approach to culture, as even the most inattentive reader could hardly fail to notice if he scratched the surface a little, critical articles crying out, indeed begging, for a return to the Greek and Latin greats, to the Troubadours, to the dolce stil nuovo and the classics of Spain, France and England, more culture! more culture! read Whitman and Pound and Eliot, read Neruda and Borges and Vallejo, read Victor Hugo, for God’s sake, and Tolstoy, and proudly I cried myself hoarse in the desert, but my vociferations and on occasions my howling could only be heard by those who were able to scratch the surface of my writings with the nails of their index fingers, and they were not many, but enough for me, and life went on and on and on, like a necklace of rice grains, on each grain of which a landscape had been painted, tiny grains and microscopic landscapes, and I knew that everyone was putting that necklace on and wearing it, but no one had the patience or the strength or the courage to take it off and look at it closely and decipher each landscape grain by grain, partly because to do so required the vision of a lynx or an eagle, and partly because the landscapes usually turned out to contain unpleasant surprises like coffins, makeshift cemeteries, ghost towns, the void and the horror, the smallness of being and its ridiculous will, people watching television, people going to football matches, boredom navigating the Chilean imagination like an enormous aircraft carrier. And that’s the truth. We were bored. We intellectuals. Because you can't read all day and all night. You can't write all day and all night. Splendid isolation has never been our style... "

Roberto Bolaño , By Night in Chile