Home > Topic > sparring

sparring  QUOTES

2 " Neel cuts in: " Where'd you grow up?" " Palo Alto," she says. From there to Stanford to Google: for a girl obsessed with the outer limits of human potential, Kat has stayed pretty close to home. Neel nods knowingly. " The suburban mind cannot comprehend the emergent complexity of a New York sidewalk." " I don't know about that," Kat says, narrowing her eyes. " I'm pretty good with complexity." " See, I know what you're thinking," Neel says, shaking his head." You're thinking it's just an agent-based simulation, and everybody out here follows a pretty simple set of rules" -- Kat is nodding--" and if you can figure out those rules, you can model it. You can simulate the street, then the neighborhood, then the whole city. Right?" " Exactly. I mean, sure, I don't know what the rules are yet, but I could experiment and figure them out, and then it would be trivial--" " Wrong," Neel says, honking like a game-show buzzer. " You can't do it. Even if you know the rules-- and by the way, there are no rules--but even if there were, you can't model it. You know why?" My best friend and my girlfriend are sparring over simulations. I can only sit back and listen. Kat frowns. " Why?" " You don't have enough memory." " Oh, come on--" " Nope. You could never hold it all in memory. No computer's big enough. Not even your what's-it-called--" " The Big Box." " That's the one. It's not big enough. This box--" Neel stretches out his hands, encompasses the sidewalk, the park, the streets beyond--" is bigger." The snaking crowd surges forward. "

10 " Too often we sit back and speak platitudes of the nitty-gritty bits of writing; the editing, the story structure, the verbal sparring vs. banter, the character development, the world-building become more important to us than the tune rhythm of the tale. And when you lose the music of the story, all the footwork in the world is not going to make up for the loss of continuity and heart.
We need to take a step back in our souls and conjure the image of what this story is: the notes and beats and things woven into it's fullness. See, that's what is so easy to lose sight of as we write. We forget that, in a way, this story is a full story in itself. We tend to try to build the story piece by piece, line upon line, precept upon precept, but that--as any true writer knows--is not entirely practical. A story does have its own identity. To some extent, the story exists in your mind as a whole. Its own being. To chance sounding sappy: Your story is a full piece of music waiting for you to dance it into existence. Don't make the mistake of leaving out all the music.
It is tempting to want to have everything arranged to perfection so that little editing will be done. But if you are keeping in mind the way your story needs to run--feeling it and dwelling in the beauty of its passion and color and vibe--the footwork will take care of itself. Certainly it will require practice and your technicalities will need a little work--everyone's does. But you will have captured the essence and blood of the tale, and really that's the prettiest part of a dance. "

Rachel Heffington