102
" There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo. "
― Beryl Markham , West with the Night
107
" Rebecca's eyes were like faith,—" the substance of things hoped for, the evidence of things not seen." Under her delicately etched brows they glowed like two stars, their dancing lights half hidden in lustrous darkness. Their glance was eager and full of interest, yet never satisfied; their steadfast gaze was brilliant and mysterious, and had the effect of looking directly through the obvious to something beyond, in the object, in the landscape, in you. They had never been accounted for, Rebecca's eyes. The school teacher and the minister at Temperance had tried and failed; the young artist who came for the summer to sketch the red barn, the ruined mill, and the bridge ended by giving up all these local beauties and devoting herself to the face of a child,—a small, plain face illuminated by a pair of eyes carrying such messages, such suggestions, such hints of sleeping power and insight, that one never tired of looking into their shining depths, nor of fancying that what one saw there was the reflection of one's own thought. "
110
" When it happens and it hits hard, we decide certain things, and realize there's truth in all those dark, lonely days" He had an instantaneous look about him,a glimmer and a glint over those eyes,he knew how the world worked,and took pleasure in its wickedness.He would give a dime or two to those sitting on the street,he would tell them things like:" It won't get any better," and" Might as well use this to buy your next fix," and finally" It's better to die high than to live sober," His suit was pressed nicely, with care and respect,like the kind a corpse wears,he'd say that was his way of honoring the dead,of always being ready for the oncoming train,I liked him,he never wore a fake smileand he was always ready to tell a story about how andwhen" We all wake up alone," he said once," Oftentimes even when sleeping next to someone, we wake up before them and they are still asleep and suddenly we are awake, and alone." I didn't see him for a few days,a few days later it felt like it'd been weeks,those weeks drifted apart from one another,like leaves on a pond's surface,and became like months.And then I saw him and I asked him where he'd been,he said," I woke up alone one day, just like any other, and I decided I didn't like it anymore. "
113
" It may be laid down as a general rule that if a man begins to sing, no one will take any notice of his song except his fellow human beings. This is true even if his song is surpassingly beautiful. Other men may be in raptures at his skill, but the rest of creation is, by and large, unmoved. Perhaps a cat or a dog may look at him; his horse, if it is an exceptionally intelligent beast, may pause in cropping the grass, but that is the extent of it. But when the fairy sang, the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy's song the earth recognized the names by which it called itself. "
― Susanna Clarke , Jonathan Strange & Mr Norrell
114
" The world is too much with us; late and soon,Getting and spending, we lay waste our powers;Little we see in Nature that is ours;We have given our hearts away, a sordid boon!This Sea that bares her bosom to the moon,The winds that will be howling at all hours,And are up-gathered now like sleeping flowers,For this, for everything, we are out of tune;It moves us not.--Great God! I'd rather beA Pagan suckled in a creed outworn; So might I, standing on this pleasant lea,Have glimpses that would make me less forlorn;Have sight of Proteus rising from the sea;Or hear old Triton blow his wreathed horn. "
115
" We sleep, allowing gravity to hold us, allowing Earth- our larger body- to recalibrate our neurons, composting the keen encounters of our waking hours (the tensions and terrors of our individual days), stirring them back, as dreams, into the sleeping substance of our muscles. We give ourselves over to the influence of the breathing earth. Sleep is the shadow of the earth as it seeps into our skin and spreads throughout our limbs, dissolving our individual will into the thousand and one selves that compose it- cells, tissues, and organs taking their prime directives now from gravity and the wind- as residual bits of sunlight, caught in the long tangle of nerves, wander the drifting landscape of our earth-borne bodies like deer moving across the forested valleys. "
― David Abram , Becoming Animal: An Earthly Cosmology
117
" No alien land in all the world has any deep strong charm for me but one, no other land could so longingly and so beseechingly haunt me, sleeping and waking, through half a lifetime, as that one has done. Other things leave me, but it abides me; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of it surfbeat is in my ear; I can see its garland crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can feel the woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago. -MARK TWAIN in an 1889 Dinner Speech at Delmonico's in New York to honor two baseball teams that had just returned from touring the Pacific, including Honolulu. "
118
" She said, I'm going to miss you when you when I wake up.Don't wake up, he answered.But he did.Kestrel, beside him on the grass, said. " Did I wake you? I didn't mean to." It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake." You were sleeping so sweetly," she said." Dreaming" He touched her tender mouth." About what?" " Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.She curled her fingers into the green earth "
119
" Sometimes, Soraya Sleeping next to me, I lay in bed and listened to the screen door swinging open and shut with the breeze, to the crickets chirping in the yard. And I could almost feel the emptiness in Soraya's womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our love-making. And late at night, in the darkness of our room, I'd feel it rising from Soraya and setting between us. Sleeping between us. Like a newborn child. "
