21
" Early morning mist ghosted along the Orm, trailing above the water, rising and twisting. Wide and sleek and almost silent, the river curled through the valley, curved almost to the doors of the stone-terraced cottages sunk tight in the moorland. As soon as he was beyond sight of the mill gates, Manny ran, his step lighter, his boots crunching against the highway. The village was quiet now, and he could hear the faint cries of sheep on the hillside. He felt suddenly exultant at having acted decisively, felt the thrill of running away. Then he reasoned with himself that he wasn’t so much running away as running to something else—something better—running away to take charge of his future. He was improving his station in life, looking for work of his choosing. "
25
" She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered.
For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet.
That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic.... "
― Eloisa James , The Ugly Duchess (Fairy Tales, #4)
27
" But I've always been a sucker for externals alone: the shape, the shine, what the surface suggests to my palm. So mechanically disinclined it's verging on criminal, I never understood the beauty of an object's workings until Linny sat my reluctant self down one day and showed me her camera. Within fifteen minutes, I had fallen hard for the whole gadgety, eyelike nature of the thing: a tiny piece of glass slowing, bending, organizing light - light - into your grandmother, the Grand Canyon, the begonia on the windowsill, the film keeping the image like a secret. Grandmother, canyon, begonia tucked neatly into the sleek black box, like bugs in a jar. My mind boggled. "
― Marisa de los Santos , Belong to Me (Love Walked In, #2)