22
" Compassion and communication are both incredibly important in relationships, but most of us use these at the wrong time. If we communicate, it's only in times of conflict, allowing repressed emotions and unsaid worries form into their worst phrasings. If we show compassion, it's only in good times, when we're feeling good about one another and don't feel triggered or attacked. What if we changed our approach? What if we showed compassion in conflict—taking the time to listen, understand, help each other release pent-up emotions? And what if we communicated in good times—taking the time to talk about patterns we fall into, triggers we both have, and how we can work together to break our cycles? Then, we would stop helplessly dancing the same old tango of mutual misunderstanding. Then, we could work on giving one another room to feel, to love, and to grow. "
― Vironika Tugaleva
23
" BELIEVING IS SEEING what you want! Seeing, might be believing, what you don't want! Your inside eyes are your special sight, to create your life in every way, But the environment you see with your eyes creates your thoughts every day. The beliefs that come from outside of you will make more of the same; So to see a change you must think out of the box; this is how you play the game. What you think, see and feel all at once, is how you create your life; Be the observer in your heart and mind, not what will repeat your strife, This will promote a healthy brain, to focus on joy rather than pain, See what you want, as if it is happening NOW, the Little People just showed you how! Because, your imagination is your real tool, no matter what anybody else tells you!
The Little People Journey into the Mystic Sea "
― Chris DiSano-Davenport , The Little People Journey Into the Mystic Sea
24
" You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.'
'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?'
'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside. "
― Alan Moore , V for Vendetta
26
" He’d spent the night in the boat. Next to the spaghetti queen.
William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air.
She saw him looking. Dark eyes regarded him with slight scorn.
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.”
The finger kept coming closer. "
― Ilona Andrews , Bayou Moon (The Edge, #2)
27
" Is the mask magic?" he demanded with sudden, passionate interest." Yes." I bowed my head, so that our eyes no longer met. " I made it magic to keep you safe. The mask is your friend, Erik. As long as you wear it, no mirror can ever show you the face again." He was silent then and when I showed him the new mask he accepted it without question and put it on hastily with his clumsy, bandaged fingers. But when I stood up to go, he reacted with panic and clutched at my grown." Don't go! Don't leave me here in the dark." " You are not in the dark," I said patiently. " Look, I have left the candle ..." But I knew, as I looked at him, that it would have made no difference if I had left him fifty candles. The darkness he feared was in his own mind and there was no light in the universe powerful enough to take that darkness from him.With a sigh of resignation I sat back on the bed and began to sing softly; and before I had finished the first verse, he was asleep.The bandages on his hands and wrists showed white and eerie in the candle-light, as I eased my skirts from his grasp.I knew that Marie was right.Physically and mentally, I had scarred him for life. "
30
" Do not be so ridiculous, I can more easily find you someone else.” Gripping the bars of his prison so strongly that the bones of his knuckles showed prominently through his pale skin, the monster growled again, “I will have no other.”
Nearing the end of his patience, Klaus demanded, “Why? Why are you being so impossible?”
Turning to the diminutive creature beneath the blanket, he smiled nastily, his light red eyes gleaming, “Because he wants her. "
― Gwenn Wright , Filter (The Von Strassenberg Saga, #1)
31
" Despite the chaos that was tearing her head apart, Tevi understood what scene Yenneg was attempting to play out, with herself as a conscripted actor. She needed to force out an explanation or denial, but no words could get past her lips. Jemeryl's presence was paralysing her, an effect far more irresistible than anything Yenneg had achieved.Tevi watched Jemeryl take another few steps forwards and then crouch down so that their eyes were no more than a foot apart. Tevi thought she would die from the shock. Yet somehow, she forced her mouth to shape the words, " Wine. Love potion." Her voice was not loud enough even to count as a whisper. Certainly nobody else in the room would have heard, yet Tevi could not control her breathing to manage anything else.At first Jemeryl showed no sign of comprehension, but then suddenly, the bewilderment on her face transformed into fury. She leapt up, her arms moving in a blurred aggressive swirl. The gesture ended with an action like hurling a ball. Blue fire erupted from Jemeryl's hands and shot towards Yenneg.The other sorcerer had obviously recognised the gesture and made an effort to protect himself. A shimmering shield sprung up before Yenneg, but it was not strong enough, and the shockwave knocked him off his feet. His shoulders slammed into the wall behind him and he crumpled to the floor. Jemeryl had been telling the truth when she claimed to vastly excel the acolytes in magical ability, not that Tevi had ever entertained doubts. Jemeryl's hands moved again, and this time Yenneg was sprawled on the floor and in no state to mount a defence. A second bolt of blue fire burst in his direction.Lightning in the form of a whip snapped across the room, intercepting Jemeryl's attack before it struck. The diverted fireball hit the wall of the summerhouse two feet from Yenneg's head and smashed through it, as if it were a stone going through wet paper. "
35
" So, preferring death to capture, I accomplished the most astonishing deeds, and which, more then once, showed me that the too great care we take of our bodies is the only obstacle to the sucess of those projects which require rapid decision, and vigorous and determined execution.
In reality, when you have once devoted your life to your enterprises, you are no longer the equal of other men, or, rather, other men are no longer your equals, and whosoever has taken this resolution, feels his strength and resources doubled. "
― Alexandre Dumas , The Count of Monte Cristo
