43
" The filling of the Holy Spirit brings a sharp separation between the believer and the world.
Actually, after Pentecost, they were looking at another world. They really saw another world.
Nowadays, we perceive that even a large part of evangelical Christianity is trying to convert this world to the church. We are bringing the world in head over heels--unregenerated, uncleansed, unshriven, unbaptized, unsanctified. we are bringing the world right into the church. If we can get some big shot to say something nice about the church, we rush into print and tell about this fellow and what nice things he said. I don't care at all about big shots because I serve a living Saviour, and Jesus Christ is Lord of lords and King of kings. I believe every man ought to know this ability to see another world. "
― A.W. Tozer ,
48
" It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist.Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on.Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground.En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet.'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.'Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit.They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard.Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher. "
50
" If we are lucky enough, as I am, to be from time to time in quite close contact with young people, they can sometimes make it easier to hang on to this notion when they function, as every person does vis-a-vis every other person they come up against, as a mirror.
Always we are being reflected in the eyes of others. Are we silly or sensible, stupid or clever, bad or good, unattractive or sexy...? We never stop being at least slightly aware of, if not actively searching for, answers to such questions, and are either deflated or elated, in extreme cases ruined or saved, by what we get. So if when you are old a beloved child happens to look at you as if he or she thinks (even if mistakenly!) that you are wise and kind: what a blessing! It's not that such a fleeting glimpse of yourself can convert you into wiseness and kindness in any enduring way; more like a good session of reflexology which, although it can cure nothing, does make you feel like a better person while it's going on and for an hour or two afterwards, and even that is well worth having.
The more frequent such shots of self-esteem are, the more valuable they become, so there is a risk - remote, but possible - of their becoming addictive. An old person who doesn't enjoy having young people in her life must be a curmudgeon, but it is extremely important that she should remember that risk and watch her step. Or he, his. "
― Diana Athill
51
" No, there's a group of hardened, fossilised men opposed by fresh young revolutionaries as John Butte once was, forming between them a whole, a balance. And then a group of fossilised hardened men like John Butte, opposed by a group of fresh and lively-minded and critical people. But the core of deadness, of dry thought, could not exist without lively shoots of fresh life, to be turned so fast, in their turn, into dead sapless wood. In other words, I, 'Comrade Anna'- and the ironical tone of Comrade Butte's voice now frightens me when I remember it-keep Comrade Butte in existence, feed him, and in due course will become him. And as I think this, that there is no right, no wrong, simply a process, a wheel turning, I become frightened, because everything in me cries out against such a view of life, and I am back inside a nightmare which it seems I've been locked in for years, whenever I'm off guard. The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to a brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised. When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected-yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: 'We have won!' At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: it is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The officer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man's smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare. "
― Doris Lessing , The Golden Notebook
59
" I was sitting down hanging with the fellas them just for the girls, because really and truly this was bugging me. How could these fellas have the finest girls in the community, and they don’t work, they don’t have any money. Anytime something has to be purchased they would say, ‘Man, Scrooge, throw the blow; buy this and buy that.’
So we were sitting on a car one day. They were out to a disco the night before and this fella got chopped or stabbed. I didn’t know anything about it until the fellas came around looking for KC the next day. These fellas just yuck out their guns and started busting shots, and everybody just break off running for their lives. Afterwards I mumbled to myself that these are some crazy fellas. They just came shooting for no reason. The funny thing about it is this: guns were not even that common on the streets then. We’re talking around 1987, 1988. I believe the fella who fired those shots at us, goes by the nickname Dog and he lives in the US now.
I said to Ada, ‘What kind of thing this is? I mean, these fellas came and just started shooting.’
That sent a whole new way of thinking in my mind. Prior to that, I was just a person going to work, coming home, and chilling. I just happened to be sitting there one day. They didn’t know me and they didn’t care who I was. I never used to even be with KC and them. I just happened to be there that day. If I had known that those fellas were crazy like that, to come shooting at whoever they saw, I wouldn’t have been there hanging with KC and them. After that, my whole mindset changed. It was either shoot or be shot. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members. "
― , The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father)
