142
" Without warning, Wesley lifted me up onto the pool table. His hands moved to my shoulders, and a second later, I was flat on my back, staring up at him as he smirked. He shifted so that he was on the table too, leaning over me with his face only inches from mine.
“On the pool table?” I said, narrowing my eyes at him. “Seriously?”
“I can’t resist,” he said. “You know, you’re pretty sexy when you’re pissed at me, Duffy.”
First, I was struck by the irony of that statement. I mean, he used sexy and Duffy-implying I was fat and ugly-in the same sentence. The contrast was almost laughable. Almost. "
― Kody Keplinger , The DUFF: Designated Ugly Fat Friend (Hamilton High, #1)
145
" From a philosophical point of view, Leibniz's most interesting argument was that absolute space conflicted with what he called the principle of the identity of indiscernibles (PII). PII says that if two objects are indiscernible, then they are identical, i.e. they are really one and the same object. What does it mean to call two objects indiscernible? It means that no difference at all can be found between them--they have exactly the same attributes. So if PII is true, then any two genuinely distinct objects must differ in at least one of their attributes--otherwise they would be one, not two. PII is intuitively quite compelling. It certainly is not easy to find an example of two distinct objects that share all their attributes. Even two mass-produced factory goods will normally differ in innumerable ways, even if the differences cannot be detected with the naked eye.
Leibniz asks us to imagine two different universes, both containing exactly the same objects. In Universe One, each object occupies a particular location in absolute space.In Universe Two, each object has been shifted to a different location in absolute space, two miles to the east (for example). There would be no way of telling these two universes apart. For we cannot observe the position of an object in absolute space, as Newton himself admitted. All we can observe are the positions of objects relative to each other, and these would remain unchanged--for all objects are shifted by the same amount. No observations or experiments could ever reveal whether we lived in universe One or Two. "
― Samir Okasha , Philosophy of Science: A Very Short Introduction
146
" It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, " their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actionsnot fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?" I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold.Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“ Bring her to her feet!”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting." Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy. "
147
" Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past "
― Abigail George , Feeding The Beasts
148
" Max.
God, but she was stubborn. And tough. And closed in. Closed off. Except when
she was holding Angel, or ruffling the Gasman’s hair, or pushing something
closer to Iggy’s hand so he could find it easily without knowing anyone had
helped him. Or when she was trying to untangle Nudge’s mane of hair.
Or-sometimes-when she was looking at Fang.
He shifted on the hard ground, a half-dozen flashes of memory cycling
through his brain. Max looking at him and laughing. Max leaping off a cliff,
snapping out her wings, flying off, so incredibly powerful and graceful that
it took his breath away.
Max punching someone’s lights out, her face like stone.
Max kissing that weiner Sam on Anne’s front porch.
Gritting his teeth, Fang rolled onto his side.
Max kissing him on the beach, after Ari had kicked Fang’s butt.
Just now, her mouth soft under his.
He wished she were here, if not next to him, then somewhere in the cave, so
he could hear her breathing.
It was going to be hard to sleep without that tonight. "
― James Patterson , Saving the World and Other Extreme Sports (Maximum Ride, #3)
149
" you're Shane, right?'He inched away from her and managed a quick nod as he twisted the rag he held in his fingers. 'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack. 'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant? One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting " it's her, it's her" over and over again. Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true. "
154
" Jacin’s fingers curled around his knife. It was torture. Jacin looked more afraid than when he’s stood on trial. More afraid than when his torso had been stripped raw from the lashings. This was the last time she would ever see him. This was her last moment. Her last breath. Suddenly, all of the politics and all of the games stopped mattering. Suddenly, she felt daring.
“Jacin,” she said, with a shaky smile. “You must know. I cannot remember a time when I didn’t love you. I don’t think such a time ever existed.”
His eyes filled with a thousand emotions. But before he could say whatever he would say, before he could kill her, Winter grabbed the front of his shirt with both hands and kissed him. He thawed much quicker than shed expected. Almost instantly, like he’d been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped, and he deepened the kiss, threading one hand into the hair at the nape of her neck. Her head swam, muddles with heat and a lifetime of desire.
Jacin’s other hand abandoned her hip. She heard the ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she’d ever had. Jacin’s hand slipped out of her hair. His arm encircled her. He held her against him like he couldn’t get close enough. Like he meant to absorb her body into his.
Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn’t tell if it was desire or pain or regret or a mix of everything. His arm tensed against her back. His weight shifted as he raised the knife. "
― Marissa Meyer , Winter (The Lunar Chronicles, #4)
