84
" You have games on there?" he asks." Yeah," I answer for her. " She's become a checkers fanatic. Shelley, show him how it works." While Shelley slowly taps the screen with her knuckles, Alex watches, seemingly fascinated.When the checkers screen comes up, Shelley nudges Alex's hand." You go first," he says.She shakes her head." She wants you to go first," I tell him." Cool." He taps the screen.I watch, getting all mushy inside, as this tough guy plays quietly with my big sister." Do you mind if I make a snack for her?" I say, desperate to leave the room." Nah, go ahead," he says, his concentration on the game." You don't have to let her win," I say before leaving. " She can hold her own in checkers." " Uh, thanks for the vote of confidence, but I am tryin' to win," Alex says. He has a genuine grin on his face, without trying to act cocky or cool. "
86
" His eyes are so beautiful and dark and they do look like that dog’s—I mean, that wolf’s. They are kind and strong and a little bit something else and I like them. I like them a lot. No, I like them way too much. Something inside me gets a little warmer, edges closer to him.
The fire crackles and I jump again, jittery, nervous, but I don’t jump away from Nick. I jump toward him. Nick in the firelight with just a blanket on is a little hard to resist, no matter how crazy he might be. His skin, deep with heat, seems to glisten. His muscles are defined and good but not all steroid bulky. He is so perfect. And beautiful. In a boy way. Not a monster way. Not a wolf way.
“Are you going to kiss me?” My words tremble into the air.
He smiles but doesn’t answer.
“I’ve never kissed a werewolf before. Are were kisses like pixie kisses? Do they do something to you? Is that why you never kissed anybody?”
He gives a little smile. “No. It’s just I never kissed anyone because I never thought I could be honest about who I am, you know? And I didn’t want anyone to get attached to me because . . .”
“Because you’re a werewolf.”
“Because I’m a werewolf,” he repeats softly. Watching his lips move makes me shiver; not in a scared way, in more of an oh-he-is-too-beautiful way.
I put my hand against his skin. It is warm. It’s always been warm. He smells so good, like woods and safety. I swallow my fear and move forward, and my lips meet his, angel-light, a tiny promise. His lips move beneath mine. His hands move to my shoulders and my mouth feels like it will burst with happiness. My whole body shakes with it.
“Wow,” I say.
“Yeah,” he says. “Wow.”
Our mouths meet again. It’s like my lips belong there . . . right there. One tiny part of me has finally found a place to fit. "
― Carrie Jones , Need (Need, #1)
87
" I’m never going to be kissed.”
I open my eyes to see my brothers gaping at me like I’ve lost my mind.
“You don’t kiss boys,” says West. “Boys shouldn’t be anywhere near you. Guys only want one thing, Rach, and it ain’t conversation. I should know.” He waves off the subject in frustration, then shakes his head as he speaks again. “Why are we even talking about this? You aren’t seeing anyone.”
“Ah, hell,” mumbles Jack. “We’re having the sex talk with my baby sister.”
“Is she dating?” Gavin demands of West and Ethan. “She can’t be dating. Now we have to beat the snot out of some horny teenager. You should have told me this was going on.”
“Make them stop,” I whisper to Ethan. Along with the dread of speeches and vomiting, I’m also dying of embarrassment.
“She’s not dating!” West shudders as if spiders cover him. “That’s just sick, Rach. Don’t talk like that. Ever. Again.”
Gavin sends me a glare clearly meant to warn me off from kissing and dating boys before he heads for the main ballroom. "
― Katie McGarry , Crash into You (Pushing the Limits, #3)
90
" It was a roadblock, manned by an officer and several other soldiers. Sivaram and the trishaw driver were ordered out of the vehicle, and I was told to stay where I was. The soldiers held their rifl es aimed and ready as the offi cer interrogated the trishaw driver, a Muslim man, who fumbled out his documents. He was soon allowed to get back in his trishaw. When it was Sivaram’s turn, he just stood there, completely quiet. After several questions, the offi cer started screaming at him. Then he ordered his soldiers to take him, and gestured for the trishaw driver to go on. Without thinking, I jumped out of the trishaw. I was a visiting professor at Colombo University and he was one of my students, I lied, approaching them. I threatened to call the American Embassy if they arrested my ‘student.’ The offi cer yelled, in English, for me to come no closer, to get back in the trishaw. Then he barked an order, and one of the soldiers lifted his rifl e and aimed it directly at my head. I kept babblingon about the embassy, but even I did not hear myself. All I could see was that hole at the end of the rifl e and, above it, the sweaty face and very frightened eyes of the soldier. He looked very young, maybe 18. I thought, I’m going to die right now. And then we grew very quiet.The offi cer barked another order, the soldier lowered his gun, and the other soldiers pushed Sivaram back toward the trishaw. We got in and took off. I do not believe we said anything on the way back to my rented room. I remember giving the trishaw driver a big tip. Once inside, I sat down in one of the two big rattan chairs in my room and tried to light a cigarette. But I had the shakes and kept missing the end. Sivaram lit it for me, and then sat staring at me in the other chair.‘My God,’ I said, ‘that was horrible. He could have killed us.’‘He wanted to kill us both.’‘My God.’‘But, one good thing maccaan, at last you begin to understand politics now "
98
" He roars, “What have you done?”
I don’t answer. My heart beats crazy happy just to see her get across the iron. She’s not burned. She’s still human.
“Zara.” His voice is measured. “I need her to maintain control.”
“You don’t need to be in control. You’re all trapped. So there’ll be no more stealing boys, no more shooting arrows in the woods, getting people lost. It’s all over.” The metal is cold on my fingers.
Devyn grabs more wire, starts another flight. A group of pixies leaps for him, screaming, a wild, chaotic mess. They start clawing at each other, lost in fear and hunger, angry. A pixie in a pink dress shrieks when another wearing a black gown lashes at her, slashing through the skin on her arm.
“Zara?” The king tries to be calm and nice. He tries to look human. It doesn’t work. “Do you know what this means? Do you know the power that I’ll lose? The need? We will fight in here. We will kill each other.”
“I know,” I say and my voice shakes as I stare at him, this man who is in my blood, but not me. He is not me. Still, I understand his need, his fear. He is stuck in this awful place where there is no moral way to move forward. “I’m so sorry.”
And I am. "
― Carrie Jones , Need (Need, #1)
100
" I worked for Miss Margaret thirty-eight years. She had her a baby girl with the colic and the only thing that stopped the hurting was to hold her. So I made me a wrap. I tied her up on my waist, toted her around all day with me for a entire year. That baby like to break my back. Put ice packs on it ever night and still do. But I loved that girl. And I loved Miss Margaret.
Miss Margaret always made me put my hair up in a rag, say she know coloreds don't wash their hair. Counted ever piece a silver after I done the polishing. When Miss Margaret die of the lady problems thirty years later, I go to the funeral. Her husband hug me, cry on my shoulder. When it's over, he give me a envelope. Inside a letter from Miss Margaret reading, 'Thank you. For making my baby stop hurting. I never forgot it.'
Callie takes off her black-rimmed glasses, wipes her eyes.
If any white lady reads my story, that's what I want them to know. Saying thank you, when you really mean it, when you remember what someone done for you-she shakes her head, stares down at the scratched table-it's so good. "
― Kathryn Stockett , The Help
