3
" The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.Billy was working on his second letter when the first letter was published. The second letter started out like this:The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is " so it goes. "
6
" After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind. "
― Ali Shaw , The Girl With Glass Feet
9
" Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men. "
― Bernard Cornwell , Death of Kings (The Saxon Stories, #6)
10
" Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot. "
―
13
" Book Excerpt:" What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx.“My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.”Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon.“He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.”The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?”“At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.”“What is the Hall of Records?”“The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.”Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010) "
14
" Digging
Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it. "
― Seamus Heaney
17
" He didn’t even apologize as he sat up, staring down at her. Was
he angry? She guessed not when he began to speak to his erection.
“I know. I can’t believe she left us like this either. Cruel wench,
isn’t she?”
After the long, frightening, horrible day she had, this was not
remotely how she expected to end it. And, against her will, she
smiled.
“Look. Now she’s laughing at us.”
Desperately fighting a bout of laughter, she ordered, “Stop
talking to it.”
He shrugged. “Well you won’t talk to him…and he’s feeling
awfully lonely. And I think you hurt his feelings.” Then he made it
bounce twice in agreement.
Talaith covered her face and sighed. What exactly did her
mother tell her the seven signs of madness were? Well, a dragon
talking to his own shaft had to be one of them. "
― , About a Dragon (Dragon Kin, #2)
18
" An ear-splitting screech pierced the silence, followed by another, striking his ears like metal against a hollow bell. The woosh woosh of wind being displaced brought Andrew’s attention skyward, and a glacial gust of paralyzing terror raced up his spine. The creature opened its mouth, and a blazing shaft of fire bellowed from above. Andrew barely had enough time to back beneath an awning for protection. Egnatious and Sebastian dove to the side while Firen sidestepped her impending doom, raising the katana in challenge.
The screeching returned, except now the howls were coming from every direction.
Firen’s chest heaved. “Did you see that?” she asked, her stormy eyes glinting with rapture and daring as she held her katana out, preparing for the next attack.
“Did I see the dragon?” Sebastian asked, hysteria dangerously rising to the surface. He stood and brushed himself off. “Yes, I bloody well did see that enormous, scaly, fire-breathing dragon. "
― Laura Kreitzer , Key of Pearl (Timeless, #4.5)
20
" It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. "
― Charles Lambert , With a Zero at its Heart
