1
" You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise. "
― Maya Angelou
3
" With her hands still fisted in his shirt, she gave a gentle tug until he bent enough that she could kiss him softly. And then not so softly.
“What was that for?” he asked when she pulled free, his voice sexy low and gruff now.
“For being the kind of guy who can admit he has emotions.”
He cupped her face. “We don’t have to tell anyone, right?”
She smiled. “It’ll be our secret.” But then her smile faded because she wasn’t good at secrets.
Or maybe she was too good at them . . . “I’m not helpless,” she said. “I want you to know that.”
“I do know it.” He paused, looking a little irritated again. “Mostly.”
“Good,” she said. “Now that’s settled, you should know, the caveman thing you just pulled . . . it turned me on a little bit.”
He slid her a look. “Yeah?”
“Yeah.”
Looking a little less like he was spoiling for a fight, his hands went to her hips and he pulled her in tighter.
What the hell was she doing? Clearly, she wasn’t equipped to stay strong, and who could? The guy was just too damn potent. Too visceral. Testosterone and pheromones leaked off of him. She dropped her head to his chest. “Ugh. You’re being . . . you.”
“Was that in English?”
“This is all your fault.”
“Nope. Definitely not English.”
“You’re being all hot and sexy, dammit,” she said. She banged her head on his chest a few times. “And I can’t seem to . . . not notice said hotness and sexiness.”
He smiled. “You want me again.”
Again. Still . . . She tossed up her hands. “You wear your stupid sexiness on your sleeve and you don’t even know it. "
― Jill Shalvis , Sweet Little Lies (Heartbreaker Bay, #1)
4
" I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another. "
― Jennifer Egan , The Keep
7
" An idea hit me so fast I didn't pause to analyse it. I just acted. My body might be constrained, but my head and neck had just enough freedom to shift up-and kiss him.
My lips met his, and I learned a few things. One was that it was possible to catch him totally by surprise. His body froze and locked up, shocked at the sudden turn of events. I also realized that he was just as good a kisser as I recalled. The last time we'd kissed had been when he was a Strigoi. There had been an eerie sexiness to that, but it didn't compare to the heat and energy of being alive. His lips were just like a remembered from out time at St. Vladimir's, both soft and hungry at the same time. Electricity spread through the rest of my body as he kissed me back. It was both comforting and exhilarating.
And that was was the third thing I discovered. He was kissing me back. Maybe, just maybe, Dimitri wasn't as resolved as he claimed to be. Maybe under all that guilt and certainty that he couldn't love again, he still wanted me. I would have liked to have found out. But I didn't have the time.
Instead, I punched him. "
― Richelle Mead , Last Sacrifice (Vampire Academy, #6)