25
" A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty. "
― Ayn Rand
28
" As he plods behind Cameron and Summer, he can’t help but stare at Summer’s exposed, glistening skin. His thoughts aren’t depraved or even mildly in the splasher. In fact, he focuses on the marks of cruelty crisscrossing her back, stomach, and shoulders. He trudges along, drenched, feet swollen, constantly searching for even a hint of a breeze, all while being forced to stare at the alarming network of burns traversing Summer’s delicate skin. This latticework of hate reveals a brutal truth—one he can scarcely comprehend. Yes, he’s glimpsed and felt her scars before, but this is the first time he’s really, truly seen the severity and extent of her life as a slave. With each step, he must digest the monstrosities of her past, leaving him utterly devastated. "
― Laura Kreitzer , Burning Falls (Summer Chronicles, #3)