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1 " Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out.Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché.I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass.I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool.I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that?Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days.Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that.But I'll still be ugly though.Nothing's gonna change that. "
2 " As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story. "
3 " Rhiannon Anna Maria Reyes, (Strength 10, Dexterity 14, Stamina 12, Will 17, IQ 16 and Charisma 15 -- Geek 7 / Barista 3 / Screenwriter 2 / Gamer Girl 2) was Bryan’s secret weapon. Rhiannon (known to practically everyone as “Ree”) kept the café in fabulous baked goods, talked authoritatively about subjects from Aliens to Zork, and drew the attentions of countless lovelorn geeks. "
― Michael R. Underwood , Geekomancy (Ree Reyes, #1)
4 " Just watch any husband arguing with his wife about something insignificant; listen to what they say and watch how their residual emotions manifest when the fight is over. It’s so formulaic and unsurprising that you wouldn’t dare re-create it in a movie. All the critics would mock it. They’d all say the screenwriter was a hack who didn’t even try. This is why movies have less value than we like to pretend — movies can’t show reality, because honest depictions of reality offend intelligent people. "
― Chuck Klosterman , The Visible Man
5 " Being a good television screenwriter requires an understanding of the way film accelerates the communication of words. "
6 " There's this movie, 'Zero Dark Thirty' about the hunt for Osama bin Laden. Some have complained that too many 'secrets' were dished out by the intelligence and special operations communities to director Kathryn Bigelow, screenwriter Mark Boal and their crew, part of a broader pattern of using intelligence for political effect. "
7 " Real pirates were better than in movies, more daring and terrifying and cunning than any screenwriter could imagine. They operated during the Golden Age of Piracy, from 1650 to 1720. "