5
" Margaux looks around the table; this is not working. All of a sudden she's thinking about a safe room, something she's only heard of but suddenly wants: water, oxygen, bulletproof door, dead bolts, a thousand books. Utterly quiet. Completely silent. No girls she barely knows in saggy leather pants, no girls in mesh strippers' gloves and jeans sanded thin as a bee's wing, and no girls who can't stay home one night a year because they are always and forever out. On their way to. Coming from.
And then her heart open. Just a little, but it does. Because she remembers all that. How she felt then: the self-reproach, the utter confusion... That's why her heart opens. For those girls at the table who always feel baffled and sad, tender and malign, repulsive and desirable, innocent and contemptuous of innocence.
So she cries. For them, mostly. For herself a little... everything hesitates. So that for a second there's no sound in the enormous room but that of Margaux sobbing. "
― Ron Koertge , Margaux with an X
7
" Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it.
That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel. "
― Helen Fielding , Bridget Jones: The Edge of Reason (Bridget Jones, #2)
