1
" As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. "
― Frederick Weisel , Teller
4
" ...Following the bird you lay into a deep turn in the steepening descent. It [the snow] is super soft, bottomless and amazingly light, yet supportive. It feels like something in between floating on top, and within the top of a deep-pile carpet as you link turn after turn down the open glacier. Each side of you are fellow riders, though not too close, whooping with exhilaration and flying down, down towards the valley below. The pitch gets steeper and the slope widens out, with seemingly endless space to the sides and an untracked oblivion ahead and beneath you. Each turn is delicious softness; you can almost feel every snow crystal reacting with the base of your skis. Those skis feel like extensions of your feet, and you connect with the mountain through a portal link created by the snowpack, as the spray from the turn hangs in the air behind you... "
― Steve Baldwin , Snow Tales and Powder Trails: Adventures on Skis
