22
" Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall feel ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistening in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of finespun maidenhair? Quick are the mouths of earth, and quick the teeth that fed upon this loveliness. You who were made for music, will hear music no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still life, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved ghost, come back again. "
― Thomas Wolfe , Look Homeward, Angel
25
" In your language you have a form of poetry called a sonnet...It is a very strict form of poetry, is it not?...There are fourteen lines, I believe, all in iambic pentameter. That's a very strict rhythm or meter, yes?...And each line has to end with a rigid rhyme pattern. And if the poet does not do it exactly this way, it is not a sonnet, is it?''No.''But within this strict form the poet has complete freedom to say whatever he wants, doesn't he?''Yes." Calvin nodded again.'So,' said Mrs. Whatsit.'So what?''Oh, do not be stupid, boy!' Mrs. Whatsit scolded. 'You know perfectly well what I am driving at!''You mean you're comparing our lives to a sonnet? A strict form, but with freedom within it?''Yes,' Mrs. Whatsit said. " You're given the form, but you have to write the sonnet yourself. "
34
" If you cannot understand my argument, and declare " It's Greek to me" , you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare. "
35
" She dared to cry? On this day of all days? I was the one who would be married at sunset, and I hadn't let myself cry in five years. There was ice in my lungs and in my heart. I was floating. I was swept away, and out of the cold I spoke to her in a voice as soft as snow, the gentle and obedient voice I had used to consent to every order that Father and Aunt Telomache ever gave me, every order that they would never give Astraia because they actually loved her." You know, that Rhyme is a lie that Aunt Telomache only told you because you weren't strong enough to bear the truth." I had thought the words so often, they felt like nothing in my mouth, like no more than a breath of air, and as easily as breathing I went on." The truth is, Mother died because of you, and now I have to die for your sake, too. And neither one of us will ever forgive you." Then I shoved her aside and strode out of the room. "
37
" In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference. "
― Richard Dawkins , River Out of Eden: A Darwinian View of Life
38
" A poem must be authentic. It could be flowery, it could have the most brilliant metaphor, it could be bursting with onomatopoeia and alliteration, assonance and consonance, hyperbole and paradox, from every end, it could have daring syntax and clever cacophony, it could have a neat and ordered rhyme scheme...but, if it loses its authenticity, its ability to convey the very heart and soul of the poet, then all the euphony and cacophony in the world cannot make up for the loss of its identity as a poem. And that is the true cacophony. "
― Gina Marinello-Sweeney
39
" I think a lover, when broken, is given a gift not a scar, not a poem, not a rhyme (unless it fits.) I think as humans, we see a set of hues but when wounded, we see something more: deeper shades of hurt and worry, colors never seen before. Because I can’t imagine a child could see the same black as a widower, and I don’t think healthy hearts know the true meaning of blue. When children close their eyes, they see a color they call empty. But in the eyelids of the bruised, the empty black’s a crowded room. "