24
" What do I have to give to love, to feed it so that it grows lush and beautiful like you see in the movies? The happy ones, I mean.......I'm talking about the good love that some people get to have, the kind that nourishes the soul, helps it bloom in the springtime no matter how frigid the winter that precedes it. Everything I have broken or bent somehow, stained so bad that no amount of extra-strength detergent could rub it all out, no matter what the ad says. I have no money to offer to love, no wisdom or kindness. Inside me I have nothing but vast reserves of suspicion and heartache, a current that runs so deep and dark I feel its chill right to my core. And, as it turns out, this current never plays me false. "
27
" We travel together, passengers on a little space ship, dependent on its vulnerable reserves of air and soil; all committed for our safety to its security and peace; preserved from annihilation only by the care, the work, and, I will say, the love we give our fragile craft. We cannot maintain it half fortunate, half miserable, half confident, half despairing, half slave—to the ancient enemies of man—half free in a liberation of resources undreamed of until this day. No craft, no crew can travel safely with such vast contradictions. On their resolution depends the survival of us all. "
― Adlai E. Stevenson II , Speeches of Adlai Stevenson: With a Foreword (Classic Reprint)
28
" I made a considerable dent in the bourbon reserves of three bars. Maybe I couldn’t quite walk a straight line after that, but I was still thinking up a storm and getting nowhere. I switched to Calvert’s the way the ads tell you, with no better results. I thought maybe if I got in touch with Doc Kincaid and asked him for a list of people who had answered his questions I’d be able to find out if the killer had broken his code. It seemed like a fine idea, but I wasn’t buying any of that, either. It was the professional way to go about things and it might bring results in a month or two or twenty, but I didn’t have the time. I’d drink myself into an alcoholic ward long before that.
But Tad Barrett might like the idea and might be able to do more about it with a whole staff of trained operatives.
Jason Chase, you are a genius. You must drink to this brilliant idea. You must. You will. But the barman shook his head.
“What do you mean, I’ve had enough?”
“I mean, I don’t think you ought to take another. Not here.”
“That’s ridiculous, my good sir. "
― Stephen Marlowe , Model for Murder
29
" I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.”
“No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.”
“I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.”
“Put down the broom.”
“Leave me alone,” Win cried. “Go dust something!”
“Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold.
Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something.
Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free.
Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—”
“Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room.
Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?”
“I have no idea.”
The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.”
It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor.
“What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.”
“If you’d like Poppy to help—” Amelia began.
“Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china. "
― Lisa Kleypas , Mine Till Midnight (The Hathaways, #1)