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1 " We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can make for us, which no one else can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you, have not been shaped by paterfamilias or a schoolmaster, they have sprung from very different beginnings, having been influenced by everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that picture of what we were at an earlier stage may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not repudiate it, for it is a proof that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups—assuming one is a painter—extracted something that transcends them. "
― Marcel Proust
2 " For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance. "
― Anthony Powell , A Question of Upbringing (A Dance to the Music of Time, #1)
3 " For all salespeople - Driving around and talking to people for a living, with no recognisable return for the time or money spent by your employer - is a job description that belongs in the past. "
4 " The skeleton picked up the second skull, so worn as to barely be recognisable as such. The vertebrae fell and rolled like beads from a string. "
― J.A. Clement , On Dark Shores: The Lady
5 " I was almost a wife but lost the man. I was almost recognisable as a friend. And then I wasn't. The nights when I flicked off the bedside lamp and found myself in the heedless, lonely dark. The times I thought, with a horrified twist, that none of this was a gift. Suzanne got the redemption that followed a conviction ... I got the snuffed-out story of the bystander, a fugitive without a crime, half hoping and half terrified that no one was ever coming for me. "
― Emma Cline , The Girls
6 " She knew with suddeness and ease that this moment would be with her always, within hand's reach of memory.She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as they looked, and the scene, the smell, even the sound of the band playing a faintly recognisable movie theme, was locked forever in her, and she was at peace. "
― Stephen King , Carrie
7 " The history of every major galactic civilisation tends to pass through three distinct and recognisable phases, those of Survival, Enquiry and Sophistication, otherwise known as the How, Why and Where phases. For instance, the first phase is characterised by the question How can we eat?, the second by the question Why do we eat?, and the third but the question Where shall we have lunch? "
― Douglas Adams
8 " [F]or all its reputation for conservatism, cricket in its history has demonstrated a remarkable capacity for innovation. What game has survived subjection to such extraordinary manipulations, having been prolonged to 10 days (in Durban 70 years ago), truncated to as few as 60 balls (in Hong Kong every year), and remained recognisable in each instance? "
― Gideon Haigh
9 " In time of war, under the banner of an enemy recognisable as such, a foreigner from a camp outside the lines, the imperial idea grew strong in confidence and temper. The British democracy rallied to the call of a strong leadership, and it was not just in rhetorical enthusiasm but with considerable personal satisfaction that Churchill hailed the year 1940-1 as the British people's 'finest hour'. He, with other imperialists, was delighted by the fact that, when it came to the sticking-place, it was the old-fashioned loyalty of the reactionary British Empire to all that was symbolised by allegiance to Crown and country that came forward to save European civilisation from utter overthrow by German tyranny...The days of showing the flag—even for only a momentary glimpse, such as wall that inhabitants of Greece and Crete and Dieppe had of it—had returned. The Empire was the Empire once more, and to 10, Downing Street returned that imperial control that two generations of Dominion opinion had combined to condemn as sinister. "
― , The Imperial Idea and its Enemies: A Study on British Power
10 " Invisible violence in Pakistan, violence against brown people, ongoing violence in Iraq — that's got to be quantified in the same way as the cinematic glamorous violence that happens in recognisable cities. "
― Russell Brand
