2
" [The haggadah] was made to teach, and it will continue to teach. And it might teach a lot more than just the Exodus story." What do you mean?" Well, from what you've told me, the book has survived the same human disaster over and over again. Think about it. You've got a society where people tolerate difference, like Spain in the Convivencia, and everything's humming along: creative, prosperous. Then somehow this fear, this hate, this need to demonize 'the other' -- it just sort of rears up and smashes the whole society. Inquisition, Nazis, extremist Serb nationalists... same old, same old. It seems to me that the book, at this point, bears witness to all that. "
4
" The mature response, however, is not to leave; it's to change -- ourselves.Whenever marital dissatisfaction rears its head in my marriage -- as it does in virtually every marriage -- I simply check my focus. The times that I am happiest and most fulfilled in my marriage are the times when I am intent on drawing meaning and fulfillment from becoming a better husband rather than from demanding a " better" wife.If you're a Christian, the reality is that, biblically speaking, you can't swap your spouse for someone else. But you can change yourself. And that change can bring the fulfillment that you mistakenly believe is found only by changing partners. In one sense, it's comical: Yes, we need a changed partner, but the partner that needs to change is not our spouse, it's us!I don't know why this works. I don't know how you can be unsatisfied maritally, and then offer yourself to God to bring about change in your life and suddenly find yourself more satisfied with the same spouse. I don't why this works, only that it does work. It takes time, and by time I mean maybe years. But if your heart is driven by the desire to draw near to Jesus, you find joy by becoming like Jesus. You'll never find joy by doing something that offends Jesus -- such as instigating a divorce or an affair. "
6
" These two things are almost all I want, but unfortunately, neither one is my strong suit. I am very strong on blame, and wish this were one of God's values, but trust, surrender? Letting go, forgiveness? Maybe just after a period of prayer, but then when the mood passes and real life rears its ugly head again? Not so much. I hate this, the fact that life is usually Chutes and Ladders, with no guaranteed gains.
I cannot will myself into having these qualities, so I have to pray for them more often, if I want to be happy. I have to create the habit, just as I had to do with daily writing, and flossing. "
― Anne Lamott , Help Thanks Wow: The Three Essential Prayers
8
" Death lurks in the shadows, just out of view.
Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch.
Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone.
Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever. "
― Richelle E. Goodrich , Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year
10
" Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly." Good music they have here," he remarks, drumming the table with his fingertips.Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored. "