62
" So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout " Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The " real" story, with its beginning, middle and conclusion, would never be told, because it did not exist. "
64
" Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down. "
― Emma Straub , Modern Lovers
65
" Once, when I was about ten, we were approaching the ranch after veering north to look at some pasturage when we saw a small barefoot boy racing along the hot road with terror in his face. My father just managed to stop him. Though incoherent with fear, the boy managed to inform us that his little brother had just drowned in the horse trough. My father grabbed the boy and we went racing up to the farmhouse, where the anguished mother, the drowned child in her arms, was sobbing, crying out in German, and rocking in a rocking chair. Fortunately the boy was not quite dead. My father managed to get him away from his mother long enough to stretch him out on the porch and squeeze the water out of him. In a while the boy began to belch dirty fluids and then to breathe again. The crisis past, we went on home. The graceful German mother brought my father jars of her best sauerkraut for many, many years. "
― Larry McMurtry , Roads: Driving America's Great Highways
70
" It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. "
― Ray Bradbury , Fahrenheit 451
74
" She is dead now, so I can say that she laughed like us, played like us and her adult life turned out okay- so I heard. But then when we were all twelve or less, it seemed as though she floated behind a scrim. Markedly pretty, she had eyes full of distance- a smile made more attractive by what it withheld; some knowingness it appeared unwilling to share. In the early forties " cool" was our word to describe her, although, at the time, I thought she was simply sad. Something treasured had been irretrievably lost, and there was nothing to be done about it. Her attitude reminded me of what I saw in the eyes of scary old people sitting in rocking chairs on the porch or leaning forward on a fence looking at us as though in a little while we would know the doom and catastrophe they already knew. " Uh huh" , they murmured when we tripped over the door saddle or ruined our clothes. " where is your mind" they asked when we dropped the milk bottle, let the coal fire go out. Seriously asking a serious question, they showed no surprise. They knew we would always fall down, drop things, be ruined, and forget. And it was possible to lose your mind. She too seemed aware of our haplessness, but she did not wear their frown. A mournful sympathy infected her smile. "
75
" Vladimir stood next to one of the beams on the back porch of our new home, leaning on his back. He reached in his pocket and grabbed a pack of cigarettes, Marlboro Reds which were his favorites, and he lit one up. He was dressed all in black; black skinny jeans, black studded belt, black tennis shoes, black v neck shirt and he had the hood of his black jacket up over his head. He looked cool and collected, and somewhat villainous.” -Nina Jean Slack, Once Lost, Forever Found (Vol. #1) "
― Nina Jean Slack , Once Lost, Forever Found (Volume #1)