24
" Events. Events in response to other events. Think about it. Nothing since the big bang has happened without a reason. And even the big bang might have come from something, because of something. One thing makes another thing, and then that thing makes the next thing. Look at these kids. These two brothers, still kids. They don't know themselves yet. They are acting in response, in reaction, passionate reaction to something that set them off, made them commit to violence. They would not be here if the United States had not invaded Iraq in 2003. The United States would not have had fertile ground for the lie it told about Irag, weapons of mass destruction, Saddam Hussein, etc., etc., if not for Osama bin Laden and 9/11. Osama bin Laden would not have been able to recruit those men to learn how to fly planes and then crash them into buildings if not for propaganda about the persecution of the global Muslims, Afghanistan after the Russian invasion, Chechnya in the nineties, Bosnian genocides, or any instance of Islam under attack by the West, one culture trying to extinguish another. History is always a story of cause and effect. "
― , A Good Country
26
" The Light Fae. As a race, they were supposed to be all about good and decency, but there wasn’t a shred of either emotion within the walls of Usaeil’s castle.
Neve observed Talin examining everything around him – from the castle, the Fae walking outside, the trees, and even the sky. His pale silver eyes missed nothing. She wondered what he saw, and how he catalogued things.
His long, black hair had the barest hint of a wave to it as it hung to the shoulders of his pale blue shirt. He shoved one side behind an ear and tilted his head as if listening.
She didn’t think he realized she was still beside him, not that she minded. It gave her a chance to fill her gaze with his sharply chiseled features.
The hard planes of his jaw and chin were in direct contrast to his wide lips and thick eyelashes. It was difficult to look at Talin and notice anything but those beautiful eyes.
Except when she did look down, she saw a body that made her hands itch to touch him. His shirt barely contained wide shoulders that tapered to narrow hips where navy pants encased his legs. Every muscle was honed and defined.
As eye-catching as Talin’s personal package was, it didn’t hold a candle to what drew her interest – his bearing. The way he stood, walked, talked.
In a castle full of Light who believed themselves above others, the only one who had the attitude and demeanor to carry it off was Talin. "
― Donna Grant , Dark Alpha’s Demand (Reaper #3)
31
" For Delta blueman Robert Johnson and his contemporaries, the train was the eternal metaphor for the travelling life, and it still holds true today. There is no travel like it. Train lines carve through all facets of a nation. While buses stick to major highways and planes reduce the unfolding of lives to a bird's eye view, trains putter through the domains of the rich and the poor, the desperate and the idle, rural and urban, isolated and cluttered. Through train windows you see realities rarely visible in the landscaped tourist areas. Those frames hold the untended jungle of a nation's truth. Despite my shredded emotions, there was still no feeling like dragging all your worldly possessions onto a carriage, alone and anonymous, to set off into the unknown; where any and all varieties of adventures await, where you might meet a new best friend, where the love of your life could be hiding in a dingy cafe. The clatter of the tracks is the sound of liberation. "
37
" The last clear definite function of man—muscles aching to work, minds aching to create beyond the single need—this is man....For man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments. This you may say of man—when theories change and crash, when schools, philosophies, when narrow dark alleys of thought, national, religious, economic, grow and disintegrate, man reaches, stumbles forward, painfully, mistakenly sometimes. Having stepped forward, he may slip back, but only half a step, never the full step back. This you may say and know it and know it. This you may know when the bombs plummet out of the black planes on the market place, when prisoners are stuck like pigs, when the crushed bodies drain filthily in the dust. You may know it in this way. If the step were not being taken, if the stumbling-forward ache were not alive, the bombs would not fall, the throats would not be cut. Fear the time when the bombs stop falling while the bombers live—for every bomb is proof that the spirit has not died. And fear the time when the strikes stop while the great owners live—for every little beaten strike is proof that the step is being taken. And this you can know—fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe. "
― John Steinbeck , The Grapes of Wrath