7
" Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
'Good-morning,' and he glittered when he walked.
And he was rich--yes, richer than a king--
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head. "
― Edwin Arlington Robinson
8
" Maria, lonely prostitute on a street of pain,You, at least, hail me and speak to meWhile a thousand others ignore my face.You offer me an hour of love,And your fees are not as costly as most.You are the madonna of the lonely,The first-born daughter in a world of pain.You do not turn fat men aside,Or trample on the stuttering, shy ones,You are the meadow where desperate menCan find a moment's comfort.Men have paid more to their wivesTo know a bit of peaceAnd could not walk away without the guiltThat masquerades as love.You do not bind them, lovely Maria, you comfort themAnd bid them return. Your body is more Christian than the Bishop'sWhose gloved hand cannot feel the dropping of my blood.Your passion is as genuine as most,Your caring as real!But you, Maria, sacred whore on the endless pavement of pain,You, whose virginity each man may make his ownWithout paying ought but your fee,You who know nothing of virgin births and immaculate conceptions,You who touch man's flesh and caress a stranger,Who warm his bed to bring his aching skin alive,You make more sense than stock markets and football gamesWhere sad men beg for virility.You offer yourself for a fee--and who offers himself for less?At times you are cruel and demanding--harsh and insensitive,At times you are shrewd and deceptive--grasping and hollow.The wonder is that at times you are gentle and concerned,Warm and loving.You deserve more respect than nuns who hide their sex for eternal love;Your fees are not so high, nor your prejudice so virtuous.You deserve more laurels than the self-pitying mother of many children,And your fee is not as costly as most.Man comes to you when his bed is filled with brass and emptiness,When liquor has dulled his sense enoughTo know his need of you.He will come in fantasy and despair, Maria,And leave without apologies.He will come in loneliness--and perhapsLeave in loneliness as well.But you give him more than soldiers who win medals and pensions,More than priests who offer absolutionAnd sweet-smelling ritual,More than friends who anticipate his deathOr challenge his life,And your fee is not as costly as most.You admit that your love is for a fee,Few women can be as honest.There are monuments to statesmen who gave nothing to anyoneExcept their hungry ego,Monuments to mothers who turned their childrenInto starving, anxious bodies,Monuments to Lady Liberty who makes poor men prisoners.I would erect a monument for you--who give more than most--And for a meager fee.Among the lonely, you are perhaps the loneliest of all,You come so close to loveBut it eludes youWhile proper women march to church and fantasizeIn the silence of their rooms,While lonely women take their husbands' armsTo hold them on life's surface,While chattering women fill their closets with clothes andTheir lips with lies,You offer love for a fee--which is not as costly as most--And remain a lonely prostitute on a street of pain.You are not immoral, little Maria, only tired and afraid,But you are not as hollow as the police who pursue you,The politicians who jail you, the pharisees who scorn you.You give what you promise--take your paltry fee--andWander on the endless, aching pavements of pain.You know more of universal love than the nations who thrive on war,More than the churches whose dogmas are private vendettas made sacred,More than the tall buildings and sprawling factoriesWhere men wear chains.You are a lonely prostitute who speaks to me as I pass,And I smile at you because I am a lonely man. "
12
" Drelmere and sons, fine outfitters for the discerning magician!” he was shouting, his voice barely carrying over the hubbub. “Robes! Pointy hats! Beard grooming supplies! Yes, you sir, how can OH GOD HURRAAARRGLAB.”
I waited patiently for him to finish decorating the pavement with his stomach contents. “Sorry,” he said, bent double and gulping. Impressively, he immediately continued his sales pitch from that position. “Looking for a new robe?”
“Yes, this one’s starting to whiff a bit.”
“Yes, I . . . gathered that, sir.” He took a few deep, groaning breaths into a star-patterned hanky and seemed to gather himself.
“What sort of price range were you OH GOD YOUR EYES HURRAAARRGLAB.”
I tapped my now bile-sodden foot. “Shall I come back later? "
― Yahtzee Croshaw
13
" The motor car with its blinds drawn and an air of inscrutable reserve proceeded towards Piccadilly, still gazed at, still ruffling the faces on both sides of the street with the same dark breath of veneration whether for Queen, Prince, or Prime Minister nobody knew. The face itself had been seen only once by three people for a few seconds. Even the sex was now in dispute. But there could be no doubt that greatness was seated within; greatness was passing, hidden, down Bond Street, removed only by a hand's-breadth from ordinary people who might now, for the first and only time, be within speaking distance of the majesty of England, of the enduring symbol of the state which will be known to curious antiquaries, sifting the ruins of time, when London is a grass-grown path and all those hurrying along the pavement this Wednesday morning are but bones with a few wedding rings mixed up in their dust and the gold stoppings of innumerable decayed teeth. The face in the motor car will then be known. "
― Virginia Woolf , Mrs. Dalloway
15
" The pavement artist thought for a bit, then agreed. 'I can start tomorrow morning.'
'Good, good. But one question. Will you be able to draw enough to cover 300 feet? I mean, do you know enough different gods to fill the whole wall?'
The artist smiled. 'There is no difficulty. I can cover 300 miles if necessary. Using assorted religions and their gods, saints, and prophets. Hindu, Sikh, Judaic, Christian, Muslim, Zoroastrian, Buddhist, Jainist. Actually, Hinduism alone can produce enough. But I always like to mix them up, include a variety in my drawings. Makes me feel I am doing something to promote tolerance and understanding in the world. "
― Rohinton Mistry , Such a Long Journey
16
" THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape.
When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man.
She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street.
For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit.
She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue.
Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of. "
― Brandi L. Bates , Remains To Be Seen
18
" Life for both sexes - and I looked at them, shouldering their way along the pavement - is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion, it calls for confidence in oneself. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority - it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination - over other people. "
― Virginia Woolf
19
" When, shortly afterward, I stopped at the top of the hill and saw the town beneath me, my feeling of happiness was so ecstatic that I didn’t know how I would be able to make it home, sit there and write, eat, or sleep. But the world is constructed in such a way that it meets you halfway in moments precisely like these, your inner joy seeks an outer counterpart and finds it, it always does, even in the bleakest regions of the world, for nothing is as relative as beauty. Had the world been different, in my opinion, without mountains and oceans, plains and seas, deserts and forests, and consisted of something else, inconceivable to us, as we don’t know anything other than this, we would also have found it beautiful. A world with gloes and raies, evanbillits and conulames, for example, or ibitera, proluffs, and lopsits, whatever they might be, we would have sung their praises because that is the way we are, we extol the world and love it although it’s not necessary, the world is the world, it’s all we have. So as I walked down the steps toward the town center on this Wednesday at the end of August I had a place in my heart for everything I beheld. A slab of stone worn smooth in a flight of steps: fantastic. A swaybacked roof side by side with an austere perpendicular brick building: so beautiful. A limp hot-dog wrapper on a drain grille, which the wind lifts a couple of meters and then drops again, this time on the pavement flecked with white stepped-on chewing gum: incredible. A lean old man hobbling along in a shabby suit carrying a bag bulging with bottles in one hand: what a sight. The world extended its hand, and I took it. "
