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1 " What is the motive for this ‘fugitive’ way of saying “I”? It is motivated by Dasein’s falling; for as falling, it *flees* in the face of itself into the “they.” When the “I” talks in the ‘natural’ manner, this is performed by the they-self. What expresses itself in the ‘I’ is that Self which, proximally and for the most part, I am *not* authentically. When one is absorbed in the everyday multiplicity and the rapid succession [*Sich-jagen] of that with which one is concerned, the Self of the self-forgetful “I am concerned” shows itself as something simple which is constantly selfsame but indefinite and empty. Yet one *is* that with which one concerns oneself. In the ‘natural’ ontical way in which the “I” talks, the phenomenal content of the Dasein which one has in view in the " I" gets overlooked; but this gives *no justification for our joining in this overlooking of it*, or for forcing upon the problematic of the Self an inappropriate ‘categorial’ horizon when we Interpret the “I” ontologically.Of course by thus refusing to follow the everyday way in which the “I” talks, our ontological Interpretation of the ‘I’ has by no means *solved* the problem; but it has indeed *prescribed the direction* for any further inquiries. In the “I,” we have in view that entity which one is in ‘being-in-the-world’.Being-already-in-a-world, however, as Being-alongside-the-ready-to-hand-within-the-world, means equiprimordially that one is ahead of oneself. With the ‘I’, what we have in view is that entity for which the *issue* is the Being of the entity that it is. With the ‘I’, care expresses itself, though proximally and for the most part in the ‘fugitive’ way in which the “I” talks when it concerns itself with something. The they-self keeps on saying “I” most loudly and most frequently because at bottom it *is not authentically* itself, and evades its authentic potentiality-for-Being. If the ontological constitution of the Self is not to be traced back either to an “I”-substance or to a ‘subject’, but if, on the contrary, the everyday fugitive way in which we keep on saying “I” must be understood in terms of our *authentic* potentiality-for-Being, then the proposition that the Self is the basis of care and constantly present-at-hand, is one that still does not follow. Selfhood is to be discerned existentially only in one’s authentic potentiality-for-Being-one’s-Self—that is to say, in the authenticity of Dasein’s Being *as care*. In terms of care the *constancy of the Self*, as the supposed persistence of the *subjectum*, gets clarified. But the phenomenon of this authentic potentiality-for-Being also opens our eyes for the *constancy of the Self*, in the double sense of steadiness and steadfastness, is the *authentic* counter-possibility to the non-Self-constancy which is characteristic of irresolute falling. Existentially, “*Self-constancy*” signifies nothing other than anticipatory resoluteness. The ontological structure of such resoluteness reveals the existentiality of the Self’s Selfhood." ―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 368-369 "
2 " The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful; and God has not made some beautiful things, but Beauty is the creator of the universe. Therefore the poet is not any permissive potentate, but is emperor in his own right. Criticism is infested with a cant of materialism, which assumes that manual skill and activity is the first merit of all men, and disparages such as say and do not, overlooking the fact, that some men, namely, poets, are natural sayers, sent into the world to the end of expression, and confounds them with those whose province is action, but who quit it to imitate the sayers. The poet does not wait for the hero or the sage, but, as they act and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building materials to an architect. "
― Ralph Waldo Emerson , Collected Works of Ralph Waldo Emerson, Volume III: Essays: Second Series
3 " If you are only focused on the Money... You risk completely overlooking the People. "
4 " Che” Guevara with about two thousand guerrilla fighters entered Havana on January 2, 1959. Their entry was relatively quiet as they headed for the Malecon and the old Spanish fortress, overlooking the entrance of Havana harbor. At 3:00 a.m. early the following morning, they took over the imposing La Cabaña fortress. In anticipation of Guevara’s arrival the three thousand regular army soldiers, assigned to the fort, stood in formation as their officers greeted Guevara. Addressing the troops, “Che” light-heartedly told them that they could teach his men how to march, but that his rebels could teach them how to fight.When they were dismissed, he had them turn in their rifles but allowed the officers to retain their pistols. He granted them all a month’s furlough; however, upon their return they discovered that they had all been relieved of duty and permanently discharged. "
― Hank Bracker
5 " Arguments for preservation based on the beauty of wilderness are sometimes treated as if they were of little weight because they are " merely aesthetic" . That is a mistake. We go to great lengths to preserve the artistic treasures of earlier human civilisations. It is difficult to imagine any economic gain that we would be prepared to accept as adequate compensation for, for instance, the destruction of the paintings in the Louvre. How should we compare the aesthetic value of wilderness with that of the paintings in the Louvre? Here, perhaps, judgment does become inescapably subjective; so I shall report my own experiences. I have looked at the paintings in the Louvre, and in many of the other great galleries of Europe and the United States. I think I have a reasonable sense of appreciation of the fine arts; yet I have not had, in any museum, experiences that have filled my aesthetic senses in the way that they are filled when I walk in a natural setting and pause to survey the view from a rocky peak overlooking a forested valley, or by a stream tumbling over moss-covered boulders set amongst tall tree-ferns, growing in the shade of the forest canopy, I do not think I am alone in this; for many people, wilderness is the source of the greatest feelings of aesthetic appreciation, rising to an almost mystical intensity. "
6 " (From Danielle Raver's short story THE ENCHANTRESS)Thick chains attached to the wall hold a metal collar and belt, restraining most of the tiger's movements. Open, bloody slashes cover his face and back, but he shows no loss of strength as he pulls on the chains and tries to rip the flesh of the surrounding humans with his deadly claws. Out of his reach, I kneel down before him, and his lightning-blue eyes cross my space for a moment. “Get her out of there!” I hear from behind me.“Numnerai,” I speak urgently to the tiger. “They will kill you!” He growls and gnashes his teeth, but I sense he is responding to me. “Great white tiger, your duty is to protect the prince. But how can you do that if they sink the end of a spear into your heart?” He looks at me for a longer moment. The fighters respond to this by growing still. In their desperation, they are overlooking my foolishness for a chance to save their fellows' lives. I crouch on my feet and begin to nudge closer to him. The tiger growls a warning, but does not slash out at me. “Think of the prince, protector of the palace. Right now he prays for you to live. "
― D.M. Raver , The Story Tellers' Anthology
7 " The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene. "
― Mary Wollstonecraft Shelley , Frankenstein: The 1818 Text
8 " Courage consists, not in blindly overlooking danger, but in seeing and conquering it. "
― Jean Paul Friedrich Richter
9 " You forgive what you can, when you can. That's all you can do.To forgive does not mean overlooking the offense and pretending it never happened. Forgiveness means releasing our rage and our need to retaliate, no longer dwelling on the offense, the offender, and the suffering, and rising to a higher love. It is an act of letting go so that we ourselves can go on. "
― Sue Monk Kidd , The Dance of the Dissident Daughter
10 " At the top of the slope on the perimeter of the site, overlooking six lanes of motorway, is a diner frequented by lorry drivers who have either just unloaded or or are waiting to pick up their cargo. Anyone nursing a disappointment with domestic life would find relief in this tiled, brightly lit cafeteria with its smells of fries and petrol, for it has the reassuring feel of a place where everyone is just passing through--and which therefore has none of the close-knit or convivial atmosphere which could cast a humiliating light on one's own alienation. It suggests itself as an ideal location for Christmas lunch for those let down by their families. "
― Alain de Botton , The Pleasures and Sorrows of Work
11 " I was overlooking the heights and I felt somewhere in between! "
― Jasleen Kaur Gumber
12 " Millennials: We lost the genetic lottery. We graduated high school into terrorist attacks and wars. We graduated college into a recession and mounds of debt. We will never acquire the financial cushion, employment stability, and material possessions of our parents. We are often more educated, experienced, informed, and digitally fluent than prior generations, yet are constantly haunted by the trauma of coming of age during the detonation of the societal structure we were born into. But perhaps we are overlooking the silver lining. We will have less money to buy the material possessions that entrap us. We will have more compassion and empathy because our struggles have taught us that even the most privileged can fall from grace. We will have the courage to pursue our dreams because we have absolutely nothing to lose. We will experience the world through backpacking, couch surfing, and carrying on interesting conversations with adventurers in hostels because our bank accounts can't supply the Americanized resorts. Our hardships will obligate us to develop spiritual and intellectual substance. Maybe having roommates and buying our clothes at thrift stores isn't so horrible as long as we are making a point to pursue genuine happiness. "
― Maggie Georgiana Young
13 " Since man always remains free and since his freedom is always fragile, the kingdom of good will never be definitively established in this world. Anyone who promises the better world that is guaranteed to last forever is making a false promise; he is overlooking human freedom. Freedom must be constantly won over for the cause of good. Free assent to the good never exists simply by itself. If there were structures which could irrevocably guarantee a determined and good state of the world, man's freedom would be denied, and hence they would not be good structures at all. "
― Benedict XVI , Saved in Hope: Spe Salvi
14 " The thing, whatever it was - and no one was ever sure afterwards whether it was a dream or a fit or what - happened at that peculiar hour before dawn when human vitality is at its lowest ebb. The Blue Hour they sometimes call it, l'heure bleue - the ribbon of darkness between the false dawn and the true, always blacker than all the rest of the night has been before it. Criminals break down and confess at that hour; suicides nerve themselves for their attempts; mists swirl in the sky; and - according to the old books of the monks and the hermits - strange, unholy shapes brood over the sleeping rooftops.At any rate, it was at this hour that her screams shattered the stillness of that top-floor apartment overlooking the Pare Monceau. Curdling, razor-edged screams that slashed through the thick bedroom door. (" I'm Dangerous Tonight" ) "
15 " When she says margarita she means daiquiri.When she says quixotic she means mercurial.And when she says, " I'll never speak to you again," she means, " Put your arms around me from behindas I stand disconsolate at the window." He's supposed to know that.When a man loves a woman he is in New York and she is in Virginiaor he is in Boston, writing, and she is in New York, reading,or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithacaor he is driving to East Hampton and she is standing disconsolateat the window overlooking the baywhere a regatta of many-colored sails is going onwhile he is stuck in traffic on the Long Island Expressway.When a woman loves a man it is one ten in the morningshe is asleep he is watching the ball scores and eating pretzelsdrinking lemonadeand two hours later he wakes up and staggers into bedwhere she remains asleep and very warm.When she says tomorrow she means in three or four weeks.When she says, " We're talking about me now," he stops talking. Her best friend comes over and says," Did somebody die?" When a woman loves a man, they have goneto swim naked in the streamon a glorious July daywith the sound of the waterfall like a chuckleof water rushing over smooth rocks,and there is nothing alien in the universe.Ripe apples fall about them.What else can they do but eat?When he says, " Ours is a transitional era," " that's very original of you," she replies,dry as the martini he is sipping.They fight all the timeIt's funWhat do I owe you?Let's start with an apologyOk, I'm sorry, you dickhead.A sign is held up saying " Laughter." It's a silent picture." I've been fucked without a kiss," she says," and you can quote me on that," which sounds great in an English accent.One year they broke up seven times and threatened to do it another nine times.When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep.When a man loves a woman he's there. He doesn't complain that she's two hours lateand there's nothing in the refrigerator.When a woman loves a man, she wants to stay awake.She's like a child cryingat nightfall because she didn't want the day to end.When a man loves a woman, he watches her sleep, thinking:as midnight to the moon is sleep to the beloved.A thousand fireflies wink at him.The frogs sound like the string sectionof the orchestra warming up.The stars dangle down like earrings the shape of grapes. "
16 " At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering. "
― Frances Mayes , Bringing Tuscany Home: Sensuous Style From the Heart of Italy
17 " We've decided that your birthday present will be a car" , said Marion.Danny was touched. " But the thing I can't figure out is, why would I need a new car?" " You can't very well gate a girl to the movies, Danny," Leslie replied." I think you're overlooking the biggest point here," said Danny. " I don't need a CAR so I can date. I need a GIRL. "
18 " Yvette is a woman who looks like a church bell. Her copper body curves with purpose, angles on a chair as if from a tower overlooking a village by the sea. Her bones are strong everywhere, in her cheeks, her shoulders, her hands. They are made from something more durable like iron or brass. When she smiles, it is as if a bell has been struck, as if music has entered the world the way God intended: at noon by the sea. "
― Daisy Hernández
19 " It’s a bit burned,” my mother would say apologetically at every meal, presenting you with a piece of meat that looked like something — a much-loved pet perhaps — salvaged from a tragic house fire. “But I think I scraped off most of the burned part,” she would add, overlooking that this included every bit of it that had once been flesh. Happily, all this suited my father. His palate only responded to two tastes - burned and ice cream — so everything suited him so long as it was sufficiently dark and not too startlingly flavorful. Theirs truly was a marriage made in heaven, for no one could burn food like my mother or eat it like my dad. "
― Bill Bryson , The Life and Times of the Thunderbolt Kid
20 " Error regarding life necessary to life. - Every belief in the value and dignity of life rests on false thinking; it is possible only through the fact that empathy with the universal life and suffering of mankind is very feebly developed in the individual. Even those rarer men who think beyond themselves at all have an eye, not for this universal life, but for fenced-off portions of it. If one knows how to keep the exceptions principally in view, I mean the greatly gifted and pure of soul, takes their production for the goal of world-evolution and rejoices in the effects they in turn produce, one may believe in the value of life, because the one is overlooking all other men: thinking falsely, that is to say. And likewise if, though one does keep in view all mankind, one accords validity only to one species of drives, the less egoistical, and justifies them in face of all the others, then again one can hope for something of mankind as a whole and to this extent believe in the value of life: thus, in this case too, through falsity of thinking. Whichever of these attitudes one adopts, however, one is by adopting in an exception among men. The great majority endure life without complaining overmuch; they believe in the value of existence, but they do so precisely because each of them exists for himself alone, refusing to step out of himself as those exceptions do: everything outside themselves they notice not at all or at most as a dim shadow. Thus for the ordinary, everyday man the value of life rests solely on the fact that regards himself more highly than he does the world. The great lack of imagination from which he suffers means he is unable to feel his way into other beings and thus he participates as little as possible in their fortunes and sufferings. He, on the other hand, who really could participate in them would have to despair of the value of life; if he succeeded in encompassing and feeling within himself the total consciousness of mankind he would collapse with a curse on existence - for mankind has as a whole no goal, and the individual man when he regards its total course cannot derive from it any support or comfort, but must be reduced to despair. If in all he does he has before him the ultimate goallessness of man, his actions acquire in his own eyes the character of useless squandering. But to feel thus squandered, not merely as an individual fruits but as humanity as a whole, in the way we behold the individual fruits of nature squandered, is a feeling beyond all other feelings. - But who is capable of such a feeling? Certainly only a poet: and poets always know how to console themselves. "
― Friedrich Nietzsche , Human, All Too Human: A Book for Free Spirits
