43
" Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. "
― James Caskey , Charleston's Ghosts: Hauntings in the Holy City
45
" Claire scraped her chair back, walked over to the cordless phone lying on the counter, and dialed from the business card still stuck to the refrigerator with a magnet. Four rings, and a cheerful voice answered on the other end and announced she’d reached Common Grounds. “Hi,’” Claire said. “Can I talk to Sam, please?’”
“Sam? Hold on.’” The phone clattered, and Claire could hear the buzz of activity in the background—milk being steamed, people chatting, the usual excitement of a busy coffee shop. She waited, jittering one leg impatiently, until the voice came back on the line. “Sorry,’” it said. “He’s not here tonight. I think he went to the party.’”
“The party?’”
“You know, the zombie frat party? Epsilon Epsilon Kappa? The Dead Girls’ Dance?’”
“Thanks,’” Claire said. She hung up and turned to face Michael and Eve, who were staring at her in outright surprise. She held up the phone. “The power of technology. Embrace it. "
― Rachel Caine , The Dead Girls' Dance (The Morganville Vampires, #2)
54
" Do people call you Ollie?” Lola asked.
Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy.
“No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips.
Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare.
“The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.”
He grunted out a dry laugh.
“And a really beautiful mouth,” I added. “Gentle. Like a woman’s.”
“Aw fuck off.” He was laughing outright by then. "
― Christina Lauren , Dirty Rowdy Thing (Wild Seasons, #2)