41
" There was a real sense of comfort but at the same time it felt oddly tense. The feeling that every little things we said, these conversations, at any moment, they could stop being possible, and so they were precious, it was that feeling, and the sense of the miracle of this shared moment, here and now. Why were we so far apart, even when we are together? It was anice loneliness, like th sensation of washing your face with cold water. "
― Banana Yoshimoto , The Lake
44
" Calmly, slowly, she reached behind with her left hand and came up against — yes, fabric. Fine linen, to be precise. So far, so good: she was inside a wardrobe, after all. The only problem was that this linen was oddly warm. Body warm. Beneath the tentative pressure of her palm, it seemed to be moving...With terrifying suddenness, an ungloved hand clamped roughly over her nose and mouth. A long arm pinned her arms against her sides. She was held tightly against a hard, warm surface." Hush," whispered a pair of lips pressed to her left ear. " If you scream, we are both lost. "
47
" Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable.
Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow.
And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time—for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception—they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness.
The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions—that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose—with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance—a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees—yes, Mole Flies do, in fact, have knees!—before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen. "
― Ashim Shanker , Don't Forget to Breathe (Migrations, Volume I)
49
" Which Are You?" There are two kinds of people on earth to-day;Just two kinds of people, no more, I say.Not the sinner and saint, for it's well understood,The good are half bad, and the bad are half good.Not the rich and the poor, for to rate a man's wealth,You must first know the state of his conscience and health.Not the humble and proud, for in life's little span,Who puts on vain airs, is not counted a man.Not the happy and sad, for the swift flying yearsBring each man his laughter and each man his tears.No; the two kinds of people on earth I mean,Are the people who lift, and the people who lean.Wherever you go, you will find the earth's masses,Are always divided in just these two classes.And oddly enough, you will find too, I ween,There's only one lifter to twenty who lean.In which class are you? Are you easing the load,Of overtaxed lifters, who toil down the road?Or are you a leaner, who lets others shareYour portion of labor, and worry and care? "
55
" There is a difference between criticizing people and criticizing a people's uninformed ideals. That is, unless one defines himself or others by their ideals, then he is offended, and usually offended secretly. Because oddly enough, this person is the same person quickest to resort to dismissive name-calling, such as 'bigot' or 'zealot'. And oddly enough, he is always the one, the 'open-minded' one, who adamantly protests for, not only himself, but others not to listen to any type of scholarly theological truth inherently for the sake of his own personal, moral beliefs. "
― Criss Jami , Killosophy
58
" John F. Kennedy " is, in reality, a deeply serious man, reflective in his mental habits, historically minded, and given to seeing men and nations and events in the sobering context that history provides.As a human being, he is often humorous, easily bored by total routine but open to all fresh experiences, careless of the superficialities of life, warmly loyal to his friends, and oddly detached about himself. His most curious trait, in fact, is his way of discussing his most vital affairs with the dry humor and cool analytical remoteness that most people reserve for the affairs of others. – Joseph Alsop "
60
" ...imagine that you hold in one hand an oddly shaped stone. You keep this hand closed into a fist, but still you can feel the stone’s curvature and the pointed edges, the roughness—of course, you know the relative size and weight and might even have a mental image of the color of this stone, even if you have not yet laid eyes upon it. Imagine that stone in your hand. Imagine what it is like to know everything about the way it feels, but nothing of how it looks. Hold that in mind for a moment.
Now, imagine that there is a person standing next to you who tells you that she also holds a stone in her hand. You look down and see the clenched fist and she sees yours and you confess the same. Neither of you, it seems, has yet opened the hand and seen the stone. Still, you can only trust each other’s proclamations. Standing together with your stones in hand, the two of you theorize about whether or not your respective stones are similar to one another. You discuss mundane details about your stones (not the special ones—you hesitate to make mention of the sharp point in the northern hemisphere or the flat area on the bottom). Your neighbor finally notes similarities between her stone and yours and you nod with relief and acknowledge that your stones indeed share reasonable commonalities. Over the course of your discussion, you and your neighbor finally conclude, without bothering to open your hands, that the stones you hold must indeed be quite similar.
Are they? It is only suitable to say that they are.
At the same time, and in spite of your desire not to offend, there is no doubt in your mind that the stone you hold bespeaks a greater prominence than that of your neighbor. You are not sure how you know this to be true, but it must be so! And I do not mean that this stone simply holds a greater subjective prominence. It has something of the universal, for it is, indeed, an auspicious stone! Silently, you hypothesize in what ways it must be special. It is possibly different in shape, color, weight, size and texture from the other, but you cannot confirm this. Perhaps, it is special by substance? Still, you are unsure. The very fact of your uncertainty begins to bother you and unleashes within you a deep insecurity. What if you are wrong and your stone is actually inferior to the other…or inferior even to some third stone not yet encountered?
Meanwhile, your neighbor is silently suffering in the same agony. Both of you tacitly understand that, without comparing the two visually, it is absurd to proclaim the two stones similar. Yet, your fist remains clenched, as does your neighbor’s and so you find yourselves unable to hold out the stones before you and compare them side-by-side. Of course, this is possible, but the mutual curiosity is outstripped by an inveterate pride, and so you both become afraid of showing (and even seeing) what you have, for fear that your respective stones will be different in appearance from the model that you have each conceptualized in mind. Meekly your eyes meet and you smile to one another at your new comradeship, but, all the while, remain paralyzed by a simultaneous shame and vanity. "
― Ashim Shanker
