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1 " It is very important to note that the transcendence of the object is by no means a primitive component necessarily ingredient in all knowledge. It is missing in all ecstatic knowledge. In ecstatic knowledge the known world is still not objectively given. Only when the (logically and genetically simultaneous) act furnishing ecstatic knowledge and the subject which performs this act become themselves the content of knowledge in the act of reflection does the character originally given in ecstatic knowledge become a mere reference pointing to the “object.” It is only here that the object or that which turns into an object remains from now on “transcendent” to consciousness. Therefore, whenever there is consciousness, objects transcendent to consciousness must also be given to consciousness. Their structural relationship is indissoluble. Whenever self-consciousness and consciousness of an object arise, they do so simultaneously and through the same process. The categorical form of an object is not first impressed in a judgment upon a nonobjective given, not even in a one-term, simple judgment, as some people have thought (e.g., Heinrich Maier in his book *Wahrheit und Wirklichkeit*). This is a pure construction. Consciousness of an object precedes all judgment and is not originally constituted by judgment. The same holds true of consciousness of states of affairs. The consciousness of an object and the intentional object are not the result of an active [tätige] “forming” or “imprinting” which we perform on the given through judgments or any other operations of thought. On the contrary, they are the result of a pulling back, the result, that is, of the re-flexive act, in which an originally ecstatic [*ekstatisch gebender*] act turns back knowingly onto itself and comes upon a central self as its starting point. This central self can be given at every level and degree of “concentration” and “collectedness” in “self-consciousness.” What we had hold of [*das Gehabte*] remains “as” object, while the act of reflection turns the knowing back into the knower, as the result of a turning away [*Abwendung*] and a pulling back, and not of an active turning to [*Zuwendung*].From what has been said, one may very well imagine that the real world could be abolished without consciousness and the self being altered or abolished thereby. But this could in no way be the case with the world of objects that transcend consciousness. Descartes as well as Lotze misunderstood this. Where a *cogito* exists, there must also be a *cogitatur* in which a transcendent object is thought. Only a being capable of reflection (*reflexio*) and self-consciousness *can* have objects. Charlotte Bühler has recently made it seem probable that the infant does not yet possess objective consciousness. In waking from the effects of a drug we can follow the process by which the givenness of the surrounding world becomes objective again. There is one last point of contact between the problem of reality and the consciousness of transcendence. The consciousness of transcendence, as already indicated, shows how the mere ecstatic possession of reality on the level of the immediately experienced resistance of an X to the central drives of life passes over into a reflexive and thus objective possession of reality. And we find similar transitions between ecstatic remembering which is merged in the being of what is past and reflexive remembering, between ecstatic drive activities and recurrent deliberation [*Besinnung*], between ecstatic surrender to a value and objectification of a value, between identifying with an alter ego and “understanding” [*Verstehen*] another, however slightly.” ―from_Idealism and Realism_ "
― Max Scheler
2 " An admirable line of Pablo Neruda’s, “My creatures are born of a long denial,” seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge… It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it. "
― Julio Cortázar , Around the Day in Eighty Worlds
3 " Finally, the dirty little secret about sexual objectification is that it is an act that cannot be performed with any attention to its ethical meaning. Experientially —from the point of view of a man who is sexually objectifying—sexual objectification and ethical self awareness are mutually exclusive. A man cannot reflect on what he is doing and its real consequences for real people and at the same time fully accomplish the act of sexual objectifying. There's no way it can be done, because hos own subjective reality is too contingent upon the unreality of someone else. All that can be left " out there" in his field of awareness is the other person's sexedness—an abstract representation of a gender—in comparison with which his own sexedness may flourish and engorge. So it is that a man shuts off his capacity for ethical empathy—whatever capacity he may ever had—in order to commit an act of despersonalization that is " gratifying" essentially because it functions to fulfill his sense of an identity that is authentically male. "
4 " It’s all society is, the repressed sex drives of men, the objectification of women, their paranoia, the posturing, the macho stances, the beauty standard, it’s all just one charade masking a never ending hard on. "
― Trevor D. Richardson , Dystopia Boy: The Unauthorized Files
5 " Gather close, and let us speak of nasty little shits. Oh, come now, we are no strangers to the vicious demons in placid disguises, innocent eyes so wide, hidden minds so dark. Does evil exist? Is it a force, some deadly possession that slips into the unwary? Is it a thing separate and thus subject to accusation and blame, distinct from the one it has used? Does it flit from soul to soul, weaving its diabolical scheme in all the unseen places, snarling into knots tremulous fears and appalling opportunity, stark terrors and brutal self-interest? Or is the dread word nothing more than a quaint and oh so convenient encapsulation of all those traits distinctly lacking moral context, a sweeping generalization embracing all things depraved and breath takingly cruel, a word to define that peculiar glint in the eye—the voyeur to one’s own delivery of horror, of pain and anguish and impossible grief?Give the demon crimson scales, slashing talons. Tentacles and dripping poison. Three eyes and six slithering tongues. As it crouches there in the soul, its latest abode in an eternal succession of abodes, may every god kneel in prayer.But really. Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity—the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us.But if that is too dire, let’s call it evil. And paint it with fire and venom.There are extremities of behaviour that seem, at the time, perfectly natural, indeed reasonable. They are arrived at suddenly, or so it might seem, but if one looks the progression reveals itself, step by step, and that is a most sad truth. "
― Steven Erikson , Toll the Hounds (Malazan Book of the Fallen, #8)
6 " If erotic writing is the objectification of sex, then reading is its subjectification. "
― Mark John Isola
7 " Sexual objectification doesn't get oppressive until it is done consistently, and to a specific group of people, and with no regard whatsoever paid to their humanity. Then it ceases to become about desire and starts to be about control. Seeing another person as meat and fat and bone and nothing else gives you power over them, if only for an instant. Structural sexual objection of women draws that instant out into an entire matrix of hurt. It tells us that women are bodies first, idealised, subservient bodies, and men are not. "
― Laurie Penny , Unspeakable Things: Sex, Lies and Revolution
8 " All women live in sexual objectification the way fish swim in water. "
9 " Women aren't my competition because male attention and sexual objectification are not prizes for me. "
― Miya Yamanouchi , Embrace Your Sexual Self: A Practical Guide for Women
10 " When female stories are muted, we are teaching our kids that their dignity is second class and the historical accounts of their lives [are] less relevant. This lowered value carries over when women face sexual objectification and systemic brutalization from inside and outside the community. "
― Aurin Squire
11 " Being exposed to those beauty queens and Praying Mantises at the same time made me ask myself some hard questions. Would I have been so radical had I not been so fat? Could I have been one of the women on the other side parading my beauty of which I was so proud? As I stood there holding my JUDGE MEAT NOT WOMEN picket sign, I recalled all the people who had said to me throughout my life, " You've got such a pretty face." But they never finished the thought. The whole phrase is " You've got such a pretty face, too bad you're fat." But what if I weren't fat? Would I still have attacked this " Meat Parade" so fiercely? The truth is, my fat has informed my politics. And while I'd like to think I would have been just as ardent in my opposition to the objectification of women had I been thin, I'll never know for sure. "
12 " While mass-media images of biological " males" feminizing themselves have the subversive potential to highlight ways conventionally defined femininity is artificial (a point feminists make all the time), the images rarely function this way. Trans women are both asked to prove their femaleness through superficial means and denied the status of " real" women because fo the artifice involved. After all, masculinity is generally defined by how a man behaves, while femininity is judged by how a woman presents herself.Thus, the media is able to depict trans women donning feminine attire and accessories without ever allowing them to achieve " true" femininity or femaleness. Further, by focusing on the most feminine of artifices, the media encourages the audience to see trans women as living out a sexual fetish. But sexualizing their motives for transitioning not only belittles trans women's female identities; it also encourages the objectification of women as a group....Thus...[this type of message] sexualizes the very concept of female identity and reduces all women (trans or otherwise) to mere feminine artifacts [ex. applying make-up, perfume, putting on jewelry]. "
13 " Should you operate upon your clients as objects, you risk reducing them to less than human. Following the culture of appropriation and mastery your clients become a kind of extension of yourself, of your ego. In the appropriation and objectification mode, your clients’ well-being and success in treatment reflect well upon you. You “did” something to them, you made them well. You acted upon them and can take the credit for successful therapy or treatment. Conversely, if your clients flounder or regress, that reflects poorly on you. On this side of things the culture of appropriation and mastery says that you are not doing enough. You are not exerting enough influence, technique or therapeutic force. What anxiety this can breed for some clinicians! DBT offers a framework and tools for a treatment that allows clients to retain their full humanity. Through the practice of mindfulness, you can learn to cultivate a fuller presence to the moments of your life, and even with your clients and your work with them. This presence potentiates an encounter between two irreducible human beings, meeting professionally, of course, and meeting humanly. The dialectical framework, which embraces contradictions and gives you a way of seeing that life is pregnant with creative tensions, allows for your discovery of your limits and possibilities, gives you a way of seeing the dynamic nature of reality that is anything but sitting still; shows you that your identity grows from relationship with others, including those you help, that you are an irreducible human being encountering other irreducible human beings who exert influence upon you, even as you exert your own upon them. Even without clinical contrivance. "
14 " The predisposition to religious belief is an ineradicable part of human behavior. Mankind has produced 100,000 religions. It is an illusion to think that scientific humanism and learning will dispel religious belief. Men would rather believe than know... A kind of Darwinistic survival of the fittest has occurred with religions... The ecological principle called Gause's law holds that competition is maximal between species with identical needs... Even submission to secular religions such as Communism and guru cults involve willing subordination of the individual to the group. Religious practices confer biological advantage. The mechanisms of religion include (1) objectification (the reduction of reality to images and definitions that are easily understood and cannot be refuted), (2) commitment through faith (a kind of tribalism enacted through self-surrender), (3) and myth (the narratives that explain the tribe's favored position on the earth, often incorporating supernatural forces struggling for control, apocalypse, and millennium). "
― Edward O. Wilson
15 " Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time. "
― Jake Vander-Ark , The Accidental Siren
16 " Our experiences of all forms of gender prejudice - from daily sexism to distressing harassment to sexual violence - are part of a continuum that impacts all of us, all the time, shaping ourselves, and our ideas about the world. To include stories of assault and rape within a project documenting everyday experiences of gender imbalance is simply to extend its boundaries to the most extreme manifestations of that prejudice. To see how great the damage can become when the minor, " unimportant" issues are allowed to pass without comment. To prove how the steady drip-drip-drip of sexism and sexualization and objectification is connected to the assumption of ownership and control over women's bodies, and how the background noise of harassment and disrespect connects to the assertion of power that is violence and rape. "
17 " Those who treat the muslim woman not as an individual but as a symbol either of Islamic chastity or secular liberalism are guilty of the same sin : the objectification of women "
― Reza Aslan
18 " Art is the objectification of feeling, and the subjectification of nature. "
19 " The objectification of females is not a good thing! Not every rapper does this, but when the lyrics focus solely on the strip club, 'poppin' bottles' and how many girls they can 'tap,' it distorts what kids are learning. I think if there was more of a female presence in hip hop we could break up the monotony. It's all about balance. "
20 " Art is the objectification of feeling. "
