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21 " The resulting amalgam - an exotic mixture of European, Caribbean, African, and American elements - made Louisiana into perhaps the most seething ethnic melting pot that the nineteenth century world could produce. This cultural gumbo would serve as breeding ground for many of the great hybrid musics of modern times; not just jazz, but also cajun, zydeco, blues, and other new styles flourished as a result of this laissez-faire environment. In this warm, moist atmosphere, sharp delineations between cultures gradually softened and ultimately disappeared. "
― , The History of Jazz
22 " Often interfaces are assumed to be synonymous with media itself. But what would it mean to say that “interface” and “media” are two names for the same thing? The answer is found in the remediation or layer model of media, broached already in the introduction, wherein media are essentially nothing but formal containers housing other pieces of media. This is a claim most clearly elaborated on the opening pages of Marshall McLuhan’s Understanding Media. McLuhan liked to articulate this claim in terms of media history: a new medium is invented, and as such its role is as a container for a previous media format. So, film is invented at the tail end of the nineteenth century as a container for photography, music, and various theatrical formats like vaudeville. What is video but a container for film. What is the Web but a container for text, image, video clips, and so on. Like the layers of an onion, one format encircles another, and it is media all the way down. This definition is well-established today, and it is a very short leap from there to the idea of interface, for the interface becomes the point of transition between different mediatic layers within any nested system. The interface is an “agitation” or generative friction between different formats. In computer science, this happens very literally; an “interface” is the name given to the way in which one glob of code can interact with another. Since any given format finds its identity merely in the fact that it is a container for another format, the concept of interface and medium quickly collapse into one and the same thing. "
― Alexander R. Galloway
23 " Vincent knew he was dying. A horrendous fever overwhelmed him with intolerable pain throughout many sleepless hours. It came as a result of a malaria epidemic that erupted in his hometown during early nineteenth century Europe. The disease spread so fast, physicians had to ration their stocks of quinine only to use it on patients who weren’t declared “hopeless”. Vincent was one of the unlucky ones. Speculating his time on Earth may be short, he requested spiritual guidance, even if he wasn’t a faithful man, nor did he believe in forgiveness. He appealed to the Church as a “just in case” like many other petrified atheists. "
24 " It is not the victory of science that distinguishes our nineteenth century, but the victory of scientific method over science. "
― Friedrich Nietzsche , The Will to Power
25 " It was the Kojagar full moon, and I was slowly pacing the riverside conversing with myself. It could hardly be called a conversation, as I was doing all the talking and my imaginary companion all the listening. The poor fellow had no chance of speaking up for himself, for was not mine the power to compel him helplessly to answer like a fool?But what a night it was! How often have I tried to write of such, but never got it done! There was not a line of ripple on the river; and from away over there, where the farthest shore of the distant main stream is seen beyond the other edge of the midway belt of sand, right up to this shore, glimmers a broad band of moonlight. Not a human being, not a boat in sight; not a tree, nor blade of grass on the fresh-formed island sand-bank.It seemed as though a desolate moon was rising upon a devastated earth; a random river wandering through a lifeless solitude; a long-drawn fairy-tale coming to a close over a deserted world,—all the kings and the princesses, their ministers and friends and their golden castles vanished, leaving the Seven Seas and Thirteen Rivers and the Unending Moor, over which the adventurous princes fared forth, wanly gleaming in the pale moonlight. I was pacing up and down like the last pulse-beats of this dying world. Every one else seemed to be on the opposite shore—the shore of life—where the British Government and the Nineteenth Century hold sway, and tea and cigarettes. "
― Rabindranath Tagore
26 " Following his wonderful introduction to the joys of womanhood, Waldo found a perverse pleasure in leaving his after-sex cigarette butt glowing on the lawn of the executive mansion. Despite Jeanne's repeated assurances that it wouldn't actually be visible to any nineteenth century passers-by, Waldo preferred to picture his discarded cigarette butt being the center of much scrutiny, with puzzled Civil War-era Washingtonians reacting to it in the same way Brazilian farmers would react to U.F.O.'s a century later. "
― Donald Jeffries , The Unreals
27 " There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, " events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next. "
28 " The children mingled with the adults, and spoke and were spoken to. Children in these families, at the end of the nineteenth century, were different from children before or after. They were neither dolls nor miniature adults. They were not hidden away in nurseries, but present at family meals, where their developing characters were taken seriously and rationally discussed, over supper or during long country walks. And yet, at the same time, the children in this world had their own separate, largely independent lives, as children. They roamed the woods and fields, built hiding-places and climbed trees, hunted, fished, rode ponies and bicycles, with no other company than that of other children. "
― A.S. Byatt , The Children's Book
29 " You’re not safe to go back there,” he said.“I’m going,” I returned.“We’ll see.”Jeez, there was just no shaking this guy.“You do know that there’s this little thing called the Nineteenth Amendment giving women the right to vote?” I asked.“I heard of that,” he said and there was a smile in his voice.“And there’s this whole movement called fem… in… is…im.” I said it slowly, like he was a dim child. “Where women started working, demanding equal pay for equal work, raising their voices on issues of the day, taking back the night, stuff like that.”He rolled into me, which made me roll onto my back.“Sounds familiar.”“Do you have an encyclopedia? Maybe we can look it up. If the words are too big for you to read, I’l read it out loud and explain as I go along.”He got up on his elbow. “Only if you do it naked.” I slapped his shoulder. "
― Kristen Ashley , Rock Chick Redemption (Rock Chick, #3)
30 " It's not the nineteenth century "
31 " What now strikes as remarkable about the new moneyed class of the nineteenth century is their complete irresponsibility;they see everything in terms of individual success, with hardly any consciousness that the community exists. "
― George Orwell
32 " The most critical of these new religious developments for twentieth-century religious liberalism were a renewed and transformed emphasis on mystical practice and experience, the healing ministry known as mind cure, and the rise of modern psychology. These three interrelated spiritual innovations spread as significant components of popular religion in large part through the mass print media. Rather than religious movements dependent on revivalism or church life, these were first and foremost discourses, creatures of the printed word. Initially explored only by an avant-garde of liberal intellectuals late in the nineteenth century, the new books and ideas emerging at the margins of liberal Protestantism eventually reached a nation-wide middle-class audience. The mass media unleashed by nineteenth-century evangelicalism enabled the alternative spiritualities of the twentieth century to flourish, especially with the rise of religious middlebrow culture in the decades after World War I. "
― , The Rise of Liberal Religion: Book Culture and American Spirituality in the Twentieth Century
33 " The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief. "
― Stendhal , The Red and the Black
34 " We debate sometimes what is to be the future of this nation when we think that in a few years public affairs may be in the hands of the fin-de-siecle gilded youths we see about us during the Christmas holidays. Such foppery, such luxury, such insolence,was surely never practiced by the scented, overbearing patricians of the Palatine, even in Rome's most decadent epoch. In all the wild orgy of wastefulness and luxury with which the nineteenth century reaches its close, the gilded youth has been surely the worst symptom. "
― Booth Tarkington , The Magnificent Ambersons
35 " Professor Smith has kindly submitted his book to me before publication. After reading it thoroughly and with intense interest I am glad to comply with his request to give him my impression.The work is a broadly conceived attempt to portray man's fear-induced animistic and mythic ideas with all their far-flung transformations and interrelations. It relates the impact of these phantasmagorias on human destiny and the causal relationships by which they have become crystallized into organized religion.This is a biologist speaking, whose scientific training has disciplined him in a grim objectivity rarely found in the pure historian. This objectivity has not, however, hindered him from emphasizing the boundless suffering which, in its end results, this mythic thought has brought upon man.Professor Smith envisages as a redeeming force, training in objective observation of all that is available for immediate perception and in the interpretation of facts without preconceived ideas. In his view, only if every individual strives for truth can humanity attain a happier future; the atavisms in each of us that stand in the way of a friendlier destiny can only thus be rendered ineffective.His historical picture closes with the end of the nineteenth century, and with good reason. By that time it seemed that the influence of these mythic, authoritatively anchored forces which can be denoted as religious, had been reduced to a tolerable level in spite of all the persisting inertia and hypocrisy.Even then, a new branch of mythic thought had already grown strong, one not religious in nature but no less perilous to mankind -- exaggerated nationalism. Half a century has shown that this new adversary is so strong that it places in question man's very survival. It is too early for the present-day historian to write about this problem, but it is to be hoped that one will survive who can undertake the task at a later date. "
― Homer W. Smith , Man and His Gods
36 " She could have happily lived inside any nineteenth century novel. "
― Kate Atkinson , Case Histories (Jackson Brodie #1)
37 " I delight to come to my bearings,—not walk in procession with pomp and parade, in a conspicuous place, but to walk even with the Builder of the universe, if I may,—not to live in this restless, nervous, bustling, trivial Nineteenth Century, but stand or sit thoughtfully while it goes by. What are men celebrating? They are all on a committee of arrangements, and hourly expect a speech from somebody. God is only the president of the day, and Webster is his orator. I love to weigh, to settle, to gravitate toward that which most strongly and rightfully attracts me;—not hang by the beam of the scale and try to weigh less,—not suppose a case, but take the case that is "
― Henry David Thoreau , Walden
38 " Schizophrenia is just a catch-all term for forms of mental behaviour that we don’t understand. In the nineteenth century there was a term, melancholia, which we would now call bipolar depression… but all forms of sadness, unhappiness, maladaptation, were poured into this label melancholia… Now, schizophrenia is a similar thing… A book about schizophrenia [says that] the typical schizophrenic lives in a world of twilight imagining. Marginal to his society, incapable of holding a regular job, these people live on the fringes content to drift in their own self-created value system. I said, that’s it! That’s it! Now I understand! "
― Terence McKenna
39 " All religions worthy of the name are now making great efforts to purify their doctrines and return to their original standpoint, — all except Christianity! You surely know that the nineteenth century Christianity is not the religion taught by Christ. Christ's religion has been changed and corrupted. But Christian clergymen are well aware that if they were to attempt to purify Christianity and bring it back to the religion of Christ, the result would be to reform it out of existence. Christianity stands to-day completely explained. Every step in its development is laid bare and shown to be due to purely natural causes, and it is easy to see how much Christianity adopted from other and older religions. "
― , The Monist (Volume 5)
40 " The century of Einstein and Planck was also the century of Hitler. The Gestapo and the scientific renaissance were children of the same age. How humane the nineteenth century seemed, that century of naive physics, when compared with the twentieth century, the century that had killed his [Viktor's] mother. There is a terrible similarity between the principles of Fascism and those of contemporary physics.Fascism has rejected the concept of a separate individuality, the concept of " a man," and operates only with vast aggregates. Contemporary physics speaks of the greater or lesser probability of occurrences within this or that aggregate of individual particles. And are not the terrible mechanics of Fascism founded on the principle of quantum politics, of political probability?Fascism arrived at the idea of the liquidation of entire strata of the population, of entire nations and races, on the grounds that there was a greater probability of overt or covert opposition among these groupings than among others: the mechanics of probabilities and of human aggregates.But no! No! And again no! Fascism will perish for the very reason that it has applied to man the laws applicable to atoms and cobblestones!Man and Fascism cannot co-exist. If Fascism conquers, man will cease to exist and there will remain only man-like creatures that have undergone an internal transformation. But if man, man who is endowed with reason and kindness, should conquer, then Fascism must perish, and those who have submitted to it will once again become people. "