62
" What better way to lose that hangover headache than get drunk again? Oh, the joys of being Canadian with socialized health care and legal drinking age of nineteen. After a year (officially) honing that skill, I imbibed at an Olympic level. The red wine on the modular coffee table gleamed in a shaft of sunlight like its position had been ordained by the gods. I snatched up the crystal decanter, sloshing the liquid into the glass conveniently placed next to it. Once in a while, a girl could actually catch a break. I fanned myself with one hand. The myriad of lit candles seemed a bit much for Ari’s romantic encounter, but wine drinking trumped curiosity so I chugged the booze back. My entire body cheered as the cloyingly-sweet alcohol hit my system, though I hoped it wasn’t Manischewitz because hangovers on that were a bitch. I’d slugged back half the contents when I saw my mom on the far side of the room clutch her throat, eyes wide with horror. Not her usual, “you need an intervention” horror. No, her expression indicated I’d reached a whole new level of fuck-up. “Nava Liron Katz,” she gasped in full name outrage. "
― Deborah Wilde , The Unlikeable Demon Hunter (Nava Katz #1)
64
" We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. Why should the world be over-wise, In counting all our tears and sighs? Nay, let them only see us, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask! "
67
" The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you. "
― Penelope Lively , Moon Tiger
72
" We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns. "
― Jonathan Evison , The Revised Fundamentals of Caregiving
76
" There is no one story that will replace the American dream, but storieslike this one—and there are thousands—can inform the myth or mythswe create for building and preserving the next culture. In order to do so,however, we must recognize that we cannot live without myth, for it is anessential part of our humanity. If we attempt to do so—given the fact thatsomething in us needs myth—wewill only create more myths that echothe American dream—with themes of heroism, greed, entitlement, narcissism,exploitation, exceptionalism, and myriad abuses of power. How we prepare for and navigate collapse will provide the raw materials for the myths we make and will live by in a postindustrial world. "