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1 " When I look through Bob, the actual stories between his mottled covers may have been written by others, but they belong to me now. Nobody else on the planet has read this particular series of books in this exact order and been affected in precisely this way. Each of us could say the same about our respective reading trajectories. Even if we don’t keep a physical Book of Books, we all hold our books somewhere inside us and live by them. They become our stories. "
― Pamela Paul , My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues
2 " As far as he could discover, there were no signs of spring. The decay that covered the surface of the mottled ground was not the kind in which life generates. Last year, he remembered, May had failed to quicken these soiled fields. It had taken all the brutality of July to torture a few green spikes through the exhausted dirt.What the little park needed, even more than he did, was a drink. Neither alcohol nor rain would do. Tomorrow, in his column, he would ask Broken-hearted, Sick-of-it-all, Desperate, Disillusioned-with-tubercular-husband and the rest of his correspondents to come here and water the soil with their tears. Flowers would then spring up, flowers that smelled of feet." Ah, humanity..." But he was heavy with shadow and the joke went into a dying fall. He trist to break its fall by laughing at himself. "
3 " Trees raised their naked, mottled branches to the sky like mourners stilled in attitudes of grief. "
― Arundhati Roy , The Ministry of Utmost Happiness
4 " I remember when we found the first population of living Cerion agassizi in central Eleuthera. Our hypothesis of Cerion's general pattern required that two predictions be affirmed (or else we were in trouble): this population must disappear by hybridization with mottled shells toward bank-interior coasts and with ribby snails toward the bank-edge. We hiked west toward the bank-interior and easily found hybrids right on the verge of the airport road. We then moved east toward the bank-edge along a disused road with vegetation rising to five feet in the center between the tire paths. We should have found our hybrids but we did not. The Cerion agassizi simply stopped about two hundred yards north of our first ribby Cerion. Then we realized that a pond lay just to our east and that ribby forms, with their coastal preferences, might not favor the western side of the pond. We forded the pond and found a classic hybrid zone between Cerion agassizi and ribby Cerions. (Ribby Cerion had just managed to round the south end of the pond, but had not moved sufficiently north along the west side to establish contact with C. agassizi populations.) I wanted to shout for joy. Then I thought, " But who can I tell; who cares?" And I answered myself, " I don't have to tell anyone. We have just seen and understood something that no one has ever seen and understood before. What more does a man need? "
5 " And now it is said of meThat my love is nothing because I have borne no children, Or because I have fathered none;That I twisted the twig in my handsAnd cut the blossom free too soon from the seed;That I lay across the fire,And snuffed it dead sooner than draft or rain.But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me,Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again.I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it.I will not banish love to empty rain.For I know that I am asked to hate myself For their sweet sakeWho sow the world with child.I am given to burn on the dark fire they make With their sly voices.But I have burned already down to bone. There is a fire that burns beyond the namesOf sludge and filth of which this world is made. Agony sears the dark flesh of the body,And lifts me higher than the smoke, to rise Above the earth, above the sacrifice;Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air:Free of the body’s work of twisted iron. "
― James Wright
6 " At this point, the sequence of my memories is disrupted.I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep.There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces. "
― Jean Lorrain , Monsieur De Phocas
7 " When she comes down to supper I don't like her any better; in fact, a hell of a lot less. She's put on a shiny dress, all fishscales, like this was still India or the boat. On her head she's put a sort of beaded cap that fits close-like a hood. A mottled green-and-black thing that gleams dully in the candlelight. Not a hair shows below it, you can't tell whether she's a woman or what the devil she is. Right in front, above her forehead, there's a sort of question-mark worked into it, in darker beads. You can't be sure what it is, but it's shaped like a question mark. (" Kiss of the Cobra" ) "
8 " I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars. "