22
" ...he would tell stories about the Holy City, about Solomon, a just king, a poet-king, a monarch with a thousand concubines. We weren't quite sure what concubines were, but we guessed: a concubine ... Concubines! One thousand! One thousand women in all colours and shapes - but all of them sexy, of course - one thousand - one thousand raving beauties lying side by side on a bed (what a bed! How wide it must have been!), all of them smiling, all of them reaching out their arms, all of them saying something in Hebrew - but the meaning was unmistakeable - " Come here, sweety." One thousand women. If one were to spend twenty, or fifteen minutes with each one of them, how long would it take to...? A problem that our math teacher never assigned us for homework...! "
31
" Been thinking of my grandfather, whose wayward brilliance skipped my father’s generation. Once, he showed me an aquatint of a certain Siamese temple. Don’t recall its name, but ever since a disciple of the Buddha preached on the spot centuries ago, every bandit king, tyrant, and monarch of that kingdom has enhanced it with marble towers, scented arboretums, gold-leafed domes, lavished murals on its vaulted ceilings, set emeralds into the eyes of its statuettes. When the temple finally equals its counterpart in the Pure Land, so the story goes, that day humanity shall have fulfilled its purpose, and Time itself shall come to an end.
To men like Ayrs, it occurs to me, this temple is civilization. The masses, slaves, peasants, and foot soldiers exist in the cracks of its flagstones, ignorant even of their ignorance. Not so the great statesmen, scientists, artists, and most of all, the composers of the age, any age, who are civilization’s architects, masons, and priests. Ayrs sees our role is to make civilization ever more resplendent. My employer’s profoundest, or only, wish is to create a minaret that inheritors of Progress a thousand years from now will point to and say, “Look, there is Vyvyan Ayrs!”
How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner. "
― David Mitchell , Cloud Atlas