41
" The difference between bush and ladder also allows us to put a lid on a fruitless and boring debate. That debate is over what qualifies as True Language. One side lists some qualities that human language has but that no animal has yet demonstrated: reference, use of symbols displaced of in time and space from their referents, creativity, categorical speech perception, consistent ordering, hierarchical structure, infinity, recursion, and so on. The other side finds some counter-example in the animal kingdom (perhaps budgies can discriminate speech sounds, or dolphins or parrots can attend to word order when carrying out commands, or some songbird can improvise indefinitely without repeating itself), and gloats that the citadel of human uniqueness has been breached. The Human Uniqueness team relinquishes that criterion but emphasizes others or adds new ones to the list, provoking angry objections that they are moving the goalposts. To see how silly this all is, imagine a debate over whether flatworms have True Vision or houseflies have True Hands. Is an iris critical? Eyelashes? Fingernails? Who cares? This is a debate for dictionary-writers, not scientists. Plato and Diogenes were not doing biology when Plato defined man as a " featherless biped" and Diogenes refuted him with a plucked chicken. "
48
" All our time spent making lists would be better spent painting, or writing, Or singing, or learning to speak stories. Sometimes I feel as though the Church has a kind of pity for Scripture, Always having to come behind it and explain everything, put everything into actionable steps, acronyms and hidden secrets, as though the original writers, and for that matter the Holy Spirit Who worked in the lives of the original writers, were a bunch of you literate hillbillies. I think the methodology God used to explain His Truth is quite superior. My life is a story, more than a list. I don't feel that a list could ever explain the complexity of all this beauty. "
― Donald Miller , Searching for God Knows What
50
" I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? "
― Tana French , Faithful Place (Dublin Murder Squad, #3)
54
" What - what - what are you doing?" he demanded." I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. " It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. " It's called a charango. I am planning to become a charanguista!" " I wouldn't call that an instrument of music," Ragnor observed sourly. " An instrument of torture, perhaps." Magnus cradled the charango in his arms as if it were an easily offended baby. " It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell." " That explains the sound you're making," said Ragnor. " Like a lost, hungry armadillo." " You are just jealous," Magnus remarked calmly. " Because you do not have the soul of a true artiste like myself." " Oh, I am positively green with envy," Ragnor snapped." Come now, Ragnor. That's not fair," said Magnus. " You know I love it when you make jokes about your complexion." Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm." Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. " From the sound of it, the poor creature must be direly sick. You have to help me find it!" Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch." You are conspiring against me and my art," he declared. " You are a pack of conspirators." He began to play again. Catarina stopped him by putting a hand on his arm." No, but seriously, Magnus," she said. " That noise is appalling." Magnus sighed. " Every warlock's a critic." " Why are you doing this?" " I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections." " If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured.Catarina, however, was smiling." I see," she said." Madam, you do not see." " I do. I see it all most clearly," Catarina assured him. " What is her name?" " I resent your implication," Magnus said. " There is no woman in the case. I am married to my music!" " Oh, all right," Catarina said. " What's his name, then?" His name was Imasu Morales, and he was gorgeous. "