22
" Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner. "
― E.A. Bucchianeri , Brushstrokes of a Gadfly, (Gadfly Saga, #1)
24
" Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone. "
― Kim Edwards , The Lake of Dreams
30
" They stood in the courtyard of Swangard Palace, too cold to be comfortable despite the sun, and they looked fully on one another, knowing that they were friends, and would always be.
A lot of water under this bridge too, Mark thought, with something like awe. He was growing older. Old enough to feel the current of what had been flowing under him, leading to his future. Old enough to look back over his shoulder, and see his past behind him, and grieve for what was gone, and honour its memory.
He felt, suddenly, how much it would hurt him if Val died; felt an echo of that pain, knowing that the Valerian he had known, fluffy and peering and hapless and altogether wonderful: this Valerian was already dying. Not physically, of course, but the man he remembered from that first night in Swangard Palace would be gone the next time they met, though his ghost would linger on in Val forever, and in their memories.
Three cheers for ghosts, Mark thought. Three cheers for the dead.
Of course Val would be much the same: better, even. As full of wonder and delight, with big pockets full of puzzles and fascinating stories about the lives of ants and ingenious designs for windmills that would do your washing. And they would still be friends, excellent friends. It could even be better next time.
But it would never be the same. "
― Sean Stewart , Nobody's Son
33
" Yet I never sought what is real, yearned for the real, but rather I have yearned for dreams more than solid things. I can say I love the textures of dreams. The way they hover and almost taste. The clouds and darkness that linger behind, mostly unseen. And the palette of dreams. You can almost taste the colours, they seem as words on the tip of the tongue, unsayable as pomegranate seeds, unsayable as thick cream, the darkness of such a thick cream. This is why I am obsessed with dreams. They know what we cannot. Night after night they try and tell us the impossible. Dreams are secret and closed, and also contain everything, gushing, splayed open. Dream suitcases, carpetbags, hold-alls. They influence us secretly and they draw me to travel to nowhere, to beauty’s passage, through halls of mirrors where I know I am not myself, I know I am sublime. "
35
" There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo. "
― Beryl Markham , West with the Night
36
" One day, lad, your eyes will light upon a woman, and you will never forget that glint in her eye, that toss of her head, or sway of her hips. You will dream of her, whether you are asleep of awake. She will possess your mind, and your body will be on fire for her. Nothing will ever erase the linger of her scent in your nostrils, the touch of her hand on your body, the feel of her flesh beneath your fingers.
When you find a woman to love, Cnut, your life changes forever. "
― Helen Hollick , The Forever Queen (Saxon #2)
37
" The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below. "
― Daphne du Maurier , Rebecca
38
" And they spoke of their Antigonie, who they called Go, as if she were a friend.
Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching.
The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone.
The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue. "
― Lauren Groff , Fates and Furies