102
" In the end Navidson is left with one page and one match. For a long time he waits in darkness and cold, postponing this final bit of illumination. At last though, he grips the match by the neck and after locating the friction strip sparks to life a final ball of light.
First, he reads a few lines by match light and then as the heat bites his fingertips he applies the flame to the page. Here then is one end: a final act of reading, a final act of consumption. And as the fire rapidly devours the paper, Navidson's eyes frantically sweep down over the text, keeping just ahead of the necessary immolation, until as he reaches the last few words, flames lick around his hands, ash peels off into the surrounding emptiness, and then as the fire retreats, dimming, its light suddenly spent, the book is gone leaving nothing behind but invisible traces already dismantled in the dark. "
― Mark Z. Danielewski , House of Leaves
103
" Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. " I have kola," he announced when he sat down, and passed the disc over to his guest. " Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. " No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe. "
104
" What would you do if you were a goddess, Cotswold?" Her maid, who had been pulling Eleanor's covers up the bed, stilled her motion. Her expression drew together, as though she were considering it." I suppose I would find the most handsome man in the world and make him my... my..." She waved her hand to indicate the word she shouldn't be saying." Cotswold!" Eleanor exclaimed, delightedly. " That sounds scandalous!" " Wouldn't it be what you did?" Eleanor shrugged. " I was thinking more along the lines of being able to have and read all the books I wanted to." Cotswold returned to her task. " Choosing a book over a handsome man." She shook her head, mock ruefully. " And here you were wanting to do something scandalous." The honest part was, it would be scandalous.If it were possible to not be a duke's daughter and be someone else, she would choose to work in a bookshop. Not one that sold the material it seemed Lord Alexander wanted to purchase; one with fairy tales and mythological books and any kind of literature where it was just as likely a dragon would drag you off somewhere as a viscount." I just might," Eleanor said in a defiant tone, making her maid snort. "
106
" Beyond the clouds, above people, beneath the skin, inside people, we’re waiting for you. We see you now, as you read. We’ll see you when you stop thinking about these words. Above and inside your face, we know your secrets. We know what you hide from yourself. You can’t escape us. We hold your heart in the palm of our hand. If we like, we can squeeze it. If we like, we can crush it. There’s nothing you can do to stop us. Our gaze notices your every single move and your every single word. Say a word now. Make a move. We smile at your words, as we smile at your silence. No one will be able to protect you. No one can protect you now. You’re even less than you imagine. We’ve seen a thousand generations of men like you. It was our pleasure to let them walk on the lines of our hands. It was our pleasure to take everything away from them. We guided entire generations of men through tunnels we built that led nowhere. And when they arrived at nothing, we smiled. You’re just like them. We’re waiting for you above and inside your face. Continue on your way. Follow that line of our hand. We know where that tunnel you walk through will end. Keep on walking. We see you and smile. Beyond the clouds, we are fear. Beneath the skin, we are fear. "
― José Luís Peixoto , Antídoto
109
" If I could remove one thing from the world and replace it with something else, I would erase politics and put art in its place. That way, art teachers would rule the world. And since art is the most supreme form of love, beautiful colors and imagery would weave bridges for peace wherever there are walls. Artists, who are naturally heart-driven, would decorate the world with their love, and in that love — poverty, hunger, lines of division, and wars would vanish from the earth forever. Children of the earth would then be free to play, imagine, create, build and grow without bloodshed, terror and fear. "
― , Rise Up and Salute the Sun: The Writings of Suzy Kassem
110
" I had as yet no notion that life every now and then becomes literature—not for long, of course, but long enough to be what we best remember, and often enough so that what we eventually come to mean by life are those moments when life, instead of going sideways, backwards, forward, or nowhere at all, lines out straight, tense and inevitable, with a complication, climax, and, given some luck, a purgation, as if life had been made and not happened. "
― Norman Maclean , A River Runs Through it and Other Stories
113
" It occurs to me that she is not unique--that all women compare lives. We are aware of whose husband works more, who helps more around the house, who makes more money, who is having more sex. We compare our children, taking note of who is sleeping through the night, eating their vegetables, minding their manners, getting into the right schools. We know who keeps the best house, throws the best parties, cooks the best meals, has the best tennis game. We know who among us is the smartest, has the fewest lines around her eyes, has the best figure--whether naturally or artificially. We are aware of who works full-time, who stays at home with the kids, who manages to do it all and make it look easy, who shops and lunches while the nanny does it all. We digest it all and then discuss with our friends. Comparing and then confiding; it is what women do.
The difference, I think, lies in why we do it. Are we doing it to gauge our own life and reassure ourselves that we fall within the realm of normal? Or are we being competitive, relishing others' shortcomings so that we can win, if only by default? "
― Emily Giffin , Heart of the Matter
