3
" It is thus that man, with fervent imagination, can endue the rough stone with loveliness, forge the mis-shapen metal into a likeness of all that wins our hearts by exceeding beauty, and breathe into a dissonant trump soul-melting harmonies. The mind of man—that mystery, which may lend arms against itself, teaching vain lessons of material philosophy, but which, in the very act, shows its power to play with all created things, adding the sweetness of its own essence to the sweetest, taking its ugliness from the deformed. "
― Mary Wollstonecraft Shelley , The Fortunes of Perkin Warbeck: A Romance
7
" It sounds like a fairy-tale, but not only that; this story of what man by his science and practical inventions has achieved on this earth, where he first appeared as a weakly member of the animal kingdom, and on which each individual of his species must ever again appear as a helpless infant... is a direct fulfilment of all, or of most, of the dearest wishes in his fairy-tales. All these possessions he has acquired through culture. Long ago he formed an ideal conception of omnipotence and omniscience which he embodied in his gods. Whatever seemed unattainable to his desires - or forbidden to him - he attributed to these gods. One may say, therefore, that these gods were the ideals of his culture. Now he has himself approached very near to realizing this ideal, he has nearly become a god himself. But only, it is true, in the way that ideals are usually realized in the general experience of humanity. Not completely; in some respects not at all, in others only by halves. Man has become a god by means of artificial limbs, so to speak, quite magnificent when equipped with all his accessory organs; but they do not grow on him and they still give him trouble at times... Future ages will produce further great advances in this realm of culture, probably inconceivable now, and will increase man's likeness to a god still more. "
― Sigmund Freud , Civilization and Its Discontents
9
" The most wonderful thing of all about the cross is that it reveals the love of God to us. It is not surprising that Paul should say to the Romans, " God commendeth his love toward us, in that, while we were yet sinners, Christ died for us." How do we see the love of God in the cross? Ah, says the modern man, I see it in this way, that though man rejected and murdered the Son of God, God in His love still says, " All right, I still forgive you. Though you have done that to My Son, I still forgive you." Yes, that is part of it, but it is the smallest part of it. That is not the real love of God. God was not a passive spectator of the death of His Son. That is how the moderns put it - that God in heaven looked down upon it all, saw men killing His own Son, and said, " All right, I will still forgive you." But it was not we who brought God's Son to the cross. It was God. It was the predeterminate counsel and foreknowledge of God.If you really want to know what the love of God means, read what Paul wrote to the Romans: " For what the law could not do, in that it was weak through the flesh, God sending his own Son in the likeness of sinful flesh, and for sin, condemned sin in the flesh." God condemned sin in the flesh of His own Son. This is the love of God. Read again Isaiah 53, that wonderful prophecy of what happened on Calvary's hill. You notice how he goes on repeating it: " Surely he hath borne our griefs, and carried our sorrows... it pleased the Lord to bruise him; he hath put him to grief." These are the terms. And they are nothing but a plain, factual description of what happened on the cross. "
11
" Long before being artists, we are artisans; and all fabrication, however rudimentary, lives on likeness and repetition, like the natural geometry which serves as its fulcrum. Fabrication works on models which it sets out to reproduce; and even when it invents, it proceeds, or imagines itself to proceed, by a new arrangement of elements already known. Its principle is that “we must have like to produce like.” In short, the strict application of the principle of finality, like that of the principle of mechanical causality, leads to the conclusion that “all is given.” Both principles say the same thing in their respective languages, because they respond to the same need. "
― Henri Bergson , Creative Evolution
12
" The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place, search another,
I stop somewhere waiting for you. "
― Walt Whitman
13
" We were fond together because of the sweep of open places, the taste of wide winds, the sunlight, and the hopes in which we worked. The morning freshness of the world-to-be intoxicated us. We were wrought up with ideas inexpressible and vaporous, but to be fought for. We lived many lives in those whirling campaigns, never sparing ourselves: yet when we achieved and the new world dawned, the old men came out again and took our victory to remake in the likeness of the former world they knew. Youth could win, but had not learned to keep, and was pitiably weak against age. We stammered that we had worked for a new heaven and a new earth, and they thanked us kindly and made their peace. "
― T.E. Lawrence , Seven Pillars of Wisdom: A Triumph
14
" Although now long estranged,
Man is not wholly lost nor wholly changed.
Dis-graced he may be, yet is not de-throned,
and keeps the rags of lordship once he owned:
Man, Sub-creator, the refracted Light
through whom is splintered from a single White
to many hues, and endlessly combined
in living shapes that move from mind to mind.
Though all the crannies of the world we filled
with Elves and Goblins, though we dared to build
Gods and their houses out of dark and light,
and sowed the seed of dragons- 'twas our right
(used or misused). That right has not decayed:
we make still by the law in which we're made.
Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker. "
― J.R.R. Tolkien , Tolkien On Fairy-stories
17
" Our life is like a journey…’ – and so the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle, member of a family and clan and entangled by professional duties, by the habits of an ‘everyday life’ woven from all these circumstances, we often feel too secure, believing our house built for all the future, easily induced to believe in a constancy that makes ageing a problem for one person and each change in external circumstances a catastrophe for another. We forget that this is a process, that the earth is in constant motion and that we too are affected by ebbs and tides, earthquakes and events far beyond our visible and tangible spheres: beggars, kings, figures in the same great game. We forget it for our would-be peace of mind, which then is built on shifting sand. We forget it so as not to fear. And fear makes us stubborn: we call reality only what we can grasp with our hands and what affects us directly, denying the force of the fire that’s sweeping our neighbour’s house, but not yet ours. War in other countries? Just twelve hours, twelve weeks from our borders? God forbid – the horror that sometimes seizes us, you feel it too when reading history books, time or space, it doesn’t matter what lies between us and it.
But the journey ever so slightly lifts the veil over the mystery of space – and a city with a magical, unreal name, Samarkand the Golden, Astrakhan or Isfahan, City of Rose Attar, becomes real the instant we set foot there and touch it with our living breath. "
― Annemarie Schwarzenbach , All the Roads Are Open: The Afghan Journey
