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large QUOTES

large QUOTES

81 " One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin. "

82 " As it happened, all three of us turned out to be real writers--a coincidence almost too large to be termed mere coincidence in a society where literally tens of thousands (maybe hundreds of thousands) of college students aspire to the writer's trade and where bare hundreds actually break through. "

― Stephen King

83 " My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker. "

― Thomas Hardy

84 " Think of Shakespeare and Melville and you think of thunder, lightning, wind. They all knew the joy of creating in large or small forms, on unlimited or restricted canvases. These are the children of the gods. "

― Ray Bradbury , Zen in the Art of Writing

85 " Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station. "

― Thomas Ligotti

86 " OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward " obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader. "

87 " Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change...
Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere? "

― Nick Harkaway , The Blind Giant

88 " The large, gaping flaws in the construction of the stories--mad wives in the attic, strange apparitions in Belgium--are a representation of the life she could not face; these gothic subterfuges represent the mind at a breaking point, frantic to find any way out. If the flaws are only to be attributed to the practicce of popular fiction of the time, we cannot then explain the large amount of genuine feeling that goes into them. They stand for the hidden wishes of an intolerable life. "

― Elizabeth Hardwick , Seduction and Betrayal: Women and Literature

89 " I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation. "

― Alan Lee

90 " Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. (" Novelty" ) "

91 " Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour. "

― Roman Payne

92 " I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour. "

― Roman Payne

93 " I think I have a very good idea why it is that anti-Semitism is so tenacious and so protean and so enduring. Christianity and Islam, theistic though they may claim to be, are both based on the fetishizing of human primates: Jesus in one case and Mohammed in the other. Neither of these figures can be called exactly historical but both have one thing in common even in their quasi-mythical dimension. Both of them were first encountered by the Jews. And the Jews, ravenous as they were for any sign of the long-sought Messiah, were not taken in by either of these two pretenders, or not in large numbers or not for long.? I myself certainly hope that it will not. The Jews have seen through Jesus and Mohammed. In retrospect, many of them have also seen through the mythical, primitive, and cruel figures of Abraham and Moses. Nearer to our own time, in the bitter combats over the work of Marx and Freud and Einstein, Jewish participants and protagonists have not been the least noticeable. May this always be the case, whenever any human primate sets up, or is set up by others, as a Messiah. "

94 " Mr. Brown had thought of nothing but numbers. He should have known that the kingdom of God did not depend on large crowds. Our Lord Himself stressed the importance of fewness. Narrow is the way and few the number. To fill the Lord's holy temple with an idolatrous crowd clamoring for signs was a folly of everlasting consequence. Our Lord used the whip only once in His life - to drive the crowd away from His church. "

― Chinua Achebe , Things Fall Apart (The African Trilogy, #1)

95 " I know, I know," Moore said. " Mad beliefs like that, eh? Must be some metaphor, right? Must mean something else?" Shook his head. " What an awfully arrogant thing. What if faiths are exactly what they are? And mean exactly what they say?" " Stop trying to make sense of it and just listen," Dane said." And what," Moore said, " if a large part of the reason they're so tenacious is that they're perfectly accurate? "

96 " I'm a religious man," he said. " I don't believe in a particularGod, but even so one can have a faith, something beyondthe limits of rationality. Marxism has a large element ofbuilt-in faith, although it claims to be a science and notmerely an ideology. This is my first visit to the West: untilnow I have only been able to go to the Soviet Union orPoland or the Baltic states. In your country I see anabundance of material things. It seems to be unlimited. Butthere's a difference between our countries that is also asimilarity. Both are poor. You see, poverty has differentfaces. We lack the abundance that you have, and we don'thave the freedom of choice. In your country I detect a kind of poverty, which is that you do not need to fight for yoursurvival. For me the struggle has a religious dimension, andI would not want to exchange that for your abundance. "

97 " The prayer of a trained theurgist is like the majestic flow of a large river but an ignorant and weak person can produce only something similar to an irregular trickle from a half-clogged tap. "

98 " Today, some priests treat the Eucharist with the utmost contempt. They see the Mass as a talkative banquet where Christians faithful to the teaching of Jesus, divorced-and-remarried persons, men and women in an adulterous situation, unbaptized tourists who participate in the Eucharistic celebrations of the large anonymous crowds can indiscriminately have access to the Body and Blood of Christ. "

― Robert Sarah , The Power of Silence: Against the Dictatorship of Noise

99 " We believe in a particular order not because it is objectively true, but because believing in it enables us to cooperate effectively and forge a better society. Imagined orders are not evil conspiracies or useless mirages. Rather, they are the only way large numbers of humans can cooperate effectivelyy. "

― Yuval Noah Harari , Sapiens: A Brief History of Humankind

100 " The instability and disorderliness we have in Nigeria today and Africa at large is totally due to the absence of this light. "

― , The Mountain of Ignorance