110
" If ever again we happened to lose our balance, just when sleepwalking through the same dream on the brink of hell’s valley, if ever the magical mare (whom I ride through the night air hollowed out into caverns and caves where wild animals live) in a crazy fit of anger over some word I might have said without the perfect sweetness that works on her like a charm, if ever the magic Mare looks over her shoulder and whinnies: “So! You don’t love me!” and bucks me off, sends me flying to the hyenas, if ever the paper ladder that I climb so easily to go pick stars for Promethea—at the very instant that I reach out my hand and it smells like fresh new moon, so good, it makes you believe in god’s genius—if ever at that very instant my ladder catches fire—because it is so fragile, all it would take is someone’s brushing against it tactlessly and all that would be left is ashes—if ever I had the dreadful luck again to find myself falling screaming down into the cruel guts of separation, and emptying all my being of hope, down to the last milligram of hope, until I am able to melt into the pure blackness of the abyss and be no more than night and a death rattle,
I would really rather not be tumbling around without my pencil and paper. "
― Hélène Cixous , The Book of Promethea
111
" In addition to conformity as a way to relieve the anxiety springing from separateness, another factor of contemporary life must be considered: the role of the work routine and the pleasure routine. Man becomes a 'nine to fiver', he is part of the labour force, or the bureaucratic force of clerks and managers. He has little initiative, his tasks are prescribed by the organisation of the work; there is even little difference between those high up on the ladder and those on the bottom. They all perform tasks prescribed by the whole structure of the organisation, at a prescribed speed, and in a prescribed manner. Even the feelings are prescribed: cheerfulness, tolerance, reliability, ambition, and an ability to get along with everybody without friction. Fun is routinised in similar, although not quite as drastic ways. Books are selected by the book clubs, movies by the film and theatre owners and the advertising slogans paid for by them; the rest is also uniform: the Sunday ride in the car, the television session, the card game, the social parties. From birth to death, from Monday to Monday, from morning to evening - all activities are routinised, and prefabricated. How should a man caught up in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and separateness? "
― Erich Fromm , The Art of Loving
116
" I wonder why he hastened to tell us that George Hearne was buried in the churchyard, and then added that naturally he was!''It's the natural place to be buried in,' said I.'Quite. That's just why it was hardly worth mentioning.'I felt then, just momentarily, just vaguely, as if my mind was regarding stray pieces of a jig-saw puzzle. The fancied ringing of the telephone bell last night was one of them, this burial of George Hearne in the churchyard was another, and, even more inexplicably, the ladder I had seen under the trees was a third. Consciously I made nothing whatever out of them, and did not feel the least inclination to devote any ingenuity to so fortuitous a collection of pieces. Why shouldn't I add, for that matter, our morning's bathe, or the gorse on the hillside? But I had the sensation that, though my conscious brain was presently occupied with piquet, and was rapidly growing sleepy with the day of sun and sea, some sort of mole inside it was digging passages and connecting corridors below the soil. (" Expiation" ) "