24
" That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again. "
― Sarah J. Maas , Heir of Fire (Throne of Glass, #3)
31
" Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting. "
― E.A. Bucchianeri , Brushstrokes of a Gadfly, (Gadfly Saga, #1)
34
" All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone. "
― J.R.R. Tolkien , The Silmarillion
37
" He went farther; agonised by the reflection, at the moment when it passed by him, so near and yet so infinitely remote, that, while it was addressed to their ears, it knew them not, he would regret, almost, that it had a meaning of its own, an intrinsic and unalterable beauty, foreign to themselves, just as in the jewels given to us, or even in the letters written to us by a woman with whom we are in love, we find fault with the 'water' of a stone, or with the words of a sentence because they are not fashioned exclusively from the spirit of a fleeting intimacy and of a 'lass unaparalleled. "
― Marcel Proust , Swann's Way
38
" The black hole of the galaxy swallows the boiling energy of human fury. Soon my waning fume will be obscured forevermore, all insignia of my ionized essence tucked into the anonymous pleat of the universe’s billowing skirt. Until the coarse earth’s rank mustiness calls for me, can I take comfort living purposefully in the rhythms of an ordinarily life? Can I unabashedly absorb the scintillating jewels in the daily milieu? Can I savor an array of pleasantries with my tongue, ears, nose, eyes, lips, and fingertips? Can I take solace in the tenderness of the nights by singing out songs of love and heartache? Can I devote the dazzle of daylight and the vastness of the night’s starriness to investigate life, make a concerted effort to reduce imbedded ignorance, and penetrate layers of obdurate obliviousness? Can I conduct a rigorous search for wisdom irrespective of wherever this journey takes me? Can I make use of the burly pack of prior personal experiences to increase self-awareness? Can I aspire to go forward in good spirits and cheerfully accept all challenges as they come? Can I skim along the delicate surface of life with a light heart until greeting an endless sleep with a begrudging grin in the coolness of the ebbing light? "
― , Dead Toad Scrolls