21
" For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. "
― Hermann Hesse , Wandering
25
" Transgenderism depends for its very existence on the idea that there is an ‘essence’ of gender, a psychology and pattern of behaviour, which is suited to persons with particular bodies and identities.This is the opposite of the feminist view, which is that the idea of gender is the foundation of the political system of male domination. ‘Gender’, in traditional patriarchal thinking, ascribes skirts, high heels and a love of unpaid domestic labour to those with female biology, and comfortable clothing, enterprise and initiative to those with male biology. In the practice of transgenderism, traditional gender is seen to lose its sense of direction and end up in the minds and bodies of persons with inappropriate body parts that need to be corrected. But without ‘gender’, transgenderism could not exist. From a critical, feminist point of view, when transgender rights are inscribed into law and adopted by institutions, they instantiate ideas that are harmful to women’s equality and give authority to outdated notions of essential differences between the sexes. Transgenderism is indeed transgressive, but of women’s rights rather than an oppressive social system. "
― Sheila Jeffreys , Gender Hurts: A Feminist Analysis of the Politics of Transgenderism
26
" Concepts of memory tend to reflect the technology of the times. Plato and Aristotle saw memories as thoughts inscribed on wax tablets that could be erased easily and used again. These days, we tend to think of memory as a camera or a video recorder, filming, storing, and recycling the vast troves of data we accumulate throughout our lives. In practice, though, every memory we retain depends upon a chain of chemical interactions that connect millions of neurons to one another. Those neurons never touch; instead, they communicate through tiny gaps, or synapses, that surround each of them. Every neuron has branching filaments, called dendrites, that receive chemical signals from other nerve cells and send the information across the synapse to the body of the next cell. The typical human brain has trillions of these connections. When we learn something, chemicals in the brain strengthen the synapses that connect neurons. Long-term memories, built from new proteins, change those synaptic networks constantly; inevitably, some grow weaker and others, as they absorb new information, grow more powerful. "
― Michael Specter
31
" When Rhiannon was small and had just learned to read, her mother brought her into the hall one day when her father was on campaign, and led her to the large table upon which a great map of their lands lay. She instructed Rhiannon to read the words of the landmarks: castle, road, mountain, forest, village. The young girl touched words inscribed over a place where trees met craggy peaks. “What does that say, my love?” her mother prompted. “Here be dragons,” Rhiannon answered, glancing up at her mother. Her mother nodded, smiling. She knelt down in front of Rhiannon so they were at the same height. The lady’s hazel eyes sparkled as she whispered, “I have a secret to share. But I can only share it with a little girl with red and gold hair,” she pulled playfully on Rhiannon’s braid,” who knows how to read.” Rhiannon giggled. “Are you a little girl such as this?” Rhiannon nodded eagerly, and her mother laughed. She stood up and gestured at a tapestry on the wall. “Come, child, the dragon guards our treasure.” Hand in hand they walked to the tapestry of the sleeping dragon. “Your great-great grandmother wove this tapestry when she was an old woman. It took her a long time to complete, with her hands gnarled so, like the twisted oak by the drawbridge.” The dragon was curled up in front of a turret, with stone dolmens in a semi-circle behind it, interspersed with trees and a mountain peak in the background and bright blue sky above. The dragon’s scales were crimson and woven through with glittering gold thread, and its curved horns and talons were gold. As they paused in front of the large tapestry, Rhiannon looked closely at the eyes of the dragon; she thought perhaps she could see a slit of gold, as if the dragon were only pretending to be asleep. Rhiannon’s mother stood on tiptoe and moved part of the tapestry to the side, revealing a slit in the stone wall. With her free hand she reached in and drew out a large leather-bound tome. She motioned her daughter to come sit with her on one of the benches that lined the walls. “Look and listen well, my daughter,” she said, and ran her fingers along the smooth cover, “this book is our special treasure, and it contains many secrets within its pages. I am going to teach you how to read them.” She opened the book as Rhiannon snuggled closer to her, her mother’s loose red-gold hair falling over the girl’s shoulder and brushing the crinkly parchment pages of the book which she turned until she came to the picture of a girl. "
34
" A typical Celestine will devote a large proportion of their time to passing through the inscribed sectors of the planet studying the writings, either alone or accompanied by companions with whom to share comments. This is a favourite pastime among them, and as they travel towards the boundaries of the inscribed regions they can watch the ongoing work of those Celestines that have been chosen to record their ideas – tirelessly twisting, pausing to gather energy, then exerting themselves again; painstakingly working the same patch of dust several thousand times over to shape each individual furrow; to capture, symbol by symbol, the knowledge they have contributed to the Celestine corpus. There is great pride and precision, as well as immense labour, in their toil. Before they commence work, the piece of ground that will house the writing will be chosen very carefully for its aspect. Then, the most favourable angle to the light will be calculated, for the orientation of the wording. The language used is of the most poetic and grandiose sort, quite different from the vernacular, and the symbols themselves are embellished with flourishes, extravagances and curlicues that are unique to the creator. Celestines love to observe this work, which constitutes the pinnacle of their art and of their ceaseless thought-endeavours, and embodies their very reason for being. "
36
" This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform.
The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose.
The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose.
Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure.
....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close. "
― Erin Morgenstern , The Night Circus
38
" The greatest moral appeal of the doctrine of the Blank Slate comes from a simple mathematical fact: zero equals zero. This allows the Blank Slate to serve as a guarantor of political equality...[I]f we are all blank slates, the reasoning goes, we must all be equal. But if the slate of a newborn is not blank, different babies could have different things inscribed on their slates. Individuals, sexes, classes, and races might differ innately in their talents, abilities, interests, and inclinations. And that, it is thought, could lead to three evils. The first is prejudice: if groups of people are biologically different, it could be rational to discriminate against the members of some of the groups. The second is Social Darwinism: if
differences among groups in their station in life...come from their innate constitutions, the differences cannot be blamed on discrimination, and that makes it easy to blame the victim and tolerate inequality. The third is eugenics: if people differ biologically in ways that other people value or dislike, it would invite them to try to improve society by intervening biologically -by encouraging or discouraging people's decisions to have children...or by killing them outright. The Nazis carried out the final solution because they thought Jews and other ethnic groups were biologically inferior. The fear of the terrible consequences that might arise from a discovery of innate differences has thus led many intellectuals to insist that such differences do not exist... "
― Stephen Pinker
39
" Not only is it a wholly remarkable book, it is also a highly successful one – more popular than the Celestial Home Care Omnibus, better selling than Fifty-three More Things to do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters Where God Went Wrong, Some More of God's Greatest Mistakes and Who is this God Person Anyway?
In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects.
First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover. "
― Douglas Adams , The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1)
40
" The public execution did not re-establish justice; it reactivated power. In the seventeenth century, and even in the early eighteenth century, it was not, therefore, with all its theatre of terror, a lingering hang-over from an earlier age. Its ruthlessness, its spectacle, its physical violence, its unbalanced play of forces, its meticulous ceremonial, its entire apparatus were inscribed in the political functioning of the penal system. "
― Michel Foucault
