10
" In social life we hardly stop to consider how much of that daring spirit which gives mastery comes from hardness of heart rather than from high purpose, or true courage. The man who succumbs to his wife, the mother who succumbs to her daughter, the master who succumbs to his servant, is as often brought to servility by a continual aversion to the giving of pain, by a softness which causes the fretfulness of others to be an agony to himself,—as by any actual fear which the firmness of the imperious one may have produced. There is an inner softness, a thinness of the mind's skin, an incapability of seeing or even thinking of the troubles of others with equanimity, which produces a feeling akin to fear; but which is compatible not only with courage, but with absolute firmness of purpose, when the demand for firmness arises so strongly as to assert itself. "
― Anthony Trollope
13
" Cases of typhoid take the following course:When the fever is at its height, life calls out to the patient: calls out to him as he wanders in his distant dream, and summons him in no uncertain voice. The harsh, imperious call reaches the spirit on that remote path that leads into the shadows, the coolness and peace. He hears the call of life, the clear, fresh, mocking summons to return to that distant scene which he had already left so far behind him, and already forgotten. And there may well up in him something like a feeling of same for a neglected duty; a sense of renewed energy, courage, and hope; he may recognize a bond existing still between him and that stirring, colourful, callous existence which he thought he had left so far behind him. Then, how far he may have wandered on his distant path, he will turn back--and live. But if he shudders when he hears life's voice, if the memory of that vanished scene and the sound of that lusty summons make him shake his head, make him put out his hand to ward off as he flies forward in the way of escape that has opened to him--then it is clear that the patient will die." Buddenbrooks "
14
" I want to kiss you.”
It was rather magical, she thought, how those five simple words, said in his lovely deep voice, could set her aflame, like a lamp tipped over and burning up everything in sight. She said:
“Well, kiss me then.”
“How imperious you are.” He smiled, came close, and set his hand gently under her chin. He bent and touched his lips to hers, lightly, sweetly, and it was as if her whole being rushed to meet him in his kiss. It was light, sweet, tender, caressing, demanding, and fiery hot all at once. How did he do that? There was absolutely no doubt about it. He was an excellent kisser. She could easily get used to this. "
― Lisa Berne , You May Kiss the Bride (The Penhallow Dynasty, #1)
15
" A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty. "
― Ayn Rand
17
" The months passed away. Slowly a great fear came over Viola, a fear that would hardly ever leave her. For every month at the full moon, whether she would or no, she found herself driven to the maze, through its mysterious walks into that strange dancing-room. And when she was there the music began once more, and once more she danced most deliciously for the moon to see. The second time that this happened she had merely thought that it was a recurrence of her own whim, and that the music was but a trick that the imagination had chosen to repeat. The third time frightened her, and she knew that the force that sways the tides had strange power over her. The fear grew as the year fell, for each month the music went on for a longer time - each month some of the pleasure had gone from the dance. On bitter nights in winter the moon called her and she came, when the breath was vapor, and the trees that circled her dancing-room were black, bare skeletons, and the frost was cruel. She dared not tell anyone, and yet it was with difficulty that she kept her secret. Somehow chance seemed to favor her, and she always found a way to return from her midnight dance to her own room without being observed. Each month the summons seemed to be more imperious and urgent. Once when she was alone on her knees before the lighted altar in the private chapel of the palace she suddenly felt that the words of the familiar Latin prayer had gone from her memory. She rose to her feet, she sobbed bitterly, but the call had come and she could not resist it. She passed out of the chapel and down the palace gardens. How madly she danced that night! (" The Moon Slave" ) "
18
" Uselessness
Let mine not be the saddest fate of all,
To live beyond my greater self; to see
My faculties decaying, as the tree
Stands stark and helpless while its green leaves fall
Let me hear rather the imperious call,
Which all men dread, in my glad morning time,
And follow death ere I have reached my prime,
Or drunk the strengthening cordial of life's gall.
The lightning's stroke or the fierce tempest blast
Which fells the green tree to the earth to-day
Is kinder than the calm that lets it last,
Unhappy witness of its own decay.
May no man ever look on me and say,
'She lives, but all her usefulness is past. "
― Ella Wheeler Wilcox , Poems of Cheer