24
" I don’t want to wake up. I can’t feel the cold of life. I can’t feel fear in my dreams. When awake we are green and red bits glowing under a machine, lights turn off and on, and people of science convince themselves they know what’s going on. Backs are patted, hand are shaken. Test, record, collect. They tell us what we already know. We are all dying, dying slow. When awake, there is a feeling of impending doom, and if you can’t feel it, close your eyes, or open them further. When we’re in a box underground, heaven is finally above us, but it’s not in the sky. Heaven is the planet we lived on, and all of the angels are people. Here, in a dream, it’s just me floating in the back of my mind, among parts we don’t fully understand. "
― Craig Stone , The Squirrel that Dreamt of Madness
30
" The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins. "
― Alistair MacLean , When Eight Bells Toll
36
" The story hangs in the night air between them. It is very latem, and if father or daugther stepped to the window, tehyw ould see the Suktara, star of the impending dawn, hanging low in the sky. But they keep sitting at the table, each thinking of the story differently, as teller and listener always must. In the mind of each, different images swirl up and fall away, and each holds on to a different part of the story, thinking it the most important. And if each were to speak what it meant, they would say things so different you would not know it wa sthe same story they were speaking of. "
― Chitra Banerjee Divakaruni , Queen of Dreams
37
" A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more. "
― Inazō Nitobe , Bushido: The Soul of Japan. A Classic Essay on Samurai Ethics
