21
" Oh, how an animal that is hurt looks up at you, John! An animal’s actions can inform you if it is in pain. It don’t hop and jump around as usual. No. You find a sad, crouching, cringing, small bunch of fur or hair, whining, and plainly asking you to aid it. It isn't hard to find out what is wrong, John; any man or woman who would pass by such a sight, just isn't worth knowing. I just can’t withstand it! Why, I think that not only animals, but plants can know pain. I carry a drink to many a poor, thirsty growing thing; or, if it is torn up I put it kindly back, and fix its soil up as comfortably as I can. Anything that is living, John, is worthy of Man’s aid. "
― Ernest Vincent Wright , Gadsby
28
" I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.”
I sat bolt upright, and Akinli rolled his eyes.
“I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.”
I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
“All right, we’ll take this slow. Five, six, seven, eight.”
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied.
We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
“Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master. "
― Kiera Cass , The Siren
31
" This writing thing, it ain’t like that hip hop shit, City. For li’l niggas like you,” he told me, “this writing thing is like a gotdamn porta potty. It’s one li’l nigga at a time, shitting in the toilet, funking up the little space he get. And you shit a regular shit or a classic shit. Either way,” he said. “City, you gotta shit classic, then get your black ass on off the pot.” He actually grabbed my hand. “You probably think I’m hyping you just for the money. It ain’t just about the money. It’s really not. It’s about doing whatever it takes for you to have your voice heard. So I don’t know what you’re writing in that book you always carrying around, but it better be classic because you ain’t gonna get no two times to get it right, you hear me? "
― Kiese Laymon , Long Division
32
" What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? "
― Naomi Wolf , The Beauty Myth
37
" I was pregnable once,” Merill thought to contribute. She remembered how troublesome it made getting around, having a ripe belly. Couldn’t roll properly, couldn’t hop properly, couldn’t romp or flop properly. There were the cravings for roasted cabbage—she loathed cabbage, with its leaves and growing in rows. And labor! Merill passed out during childbirth. She’d endured burns, lacerations, rips, serrated teeth, nails, hooks and a trove of unmentionable harm-inflictors. Labor trounced them all and wriggled gleefully in the spray of blood and gore. “Being pregnable is no good. No good at all. Like growing a bitter melon in your belly. "
― Darrell Drake , Where Madness Roosts
