101
" As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''He broke off and looked around the room once again.''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as a kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy. "
102
" As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''He broke off and looked around the room once again.''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy. "
106
" You’ll be angry, but I’m going to ask anyway. Will you marry me?' The unsupported voice, the one that happened when he couldn’t breathe, but had to speak.
I nudged his hands apart to see his face, and found it faintly overcast by tension. 'No,' I said gently,
He blinked again and asked, his voice unaltered, 'May I ask you once a year, every seventh of December, in case the answer changes?'
'Yes. I don’t think it will.'
'Oh. I only ask because I hate the thought of not having breakfast with you for the rest of my life.'
'My dear,' I said. 'Jamie. That’s a different question.'
'Oh. Will you have breakfast with me for the rest of my life?'
'Probably. "
― Steven Brust , Freedom and Necessity
107
" Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.
Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.
Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.
'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world. "
― Patrick O'Brian , The Commodore (Aubrey & Maturin #17)
109
" As his hands fell upon the keyboard, it was still possible to believe a beautiful harmony had been formed at random, in spite of him. But a second later the music came surging out, the power of it sweeping away all doubts, voices, sounds, wiping away the fixed grins and exchanged glances, pushing back the walls, dispersing the light of the reception room out into the nocturnal immensity of the sky beyond the windows.
He did not feel as if he were playing. He was advancing through a night, breathing in its delicate transparency, made up as it was of an infinite number of facets of ice, of leaves, of wind. He no longer felt any pain. No fear about what would happen. No anguish or remorse. The night through which he was advancing expressed this pain, this fear, and the irremediable shattering of the past, but this had all become music and now only existed through its beauty. "
― Andreï Makine , Music of a Life
111
" He was getting undressed and it snapped something inside of him that had been drawing taut, ready to break for months.
“I'm hungry, Bruno,” he said, in a soft voice, as he removed the shirt from his broad shoulders, revealing a perfect sight of smooth dark skin. “I can't wait for dinner,” he continued, with a smile.
When he put his hands to the fastening of his trousers, Bruno let out a sigh and put the take out menus on the counter. He couldn't look at him, because he knew Lyon was trying to seduce him on purpose. He didn't want to talk or hear him out or spend time with him that didn't end with an orgasm.
“I can't do this anymore,” Bruno confessed, quietly. "
― Elaine White , Clef Notes
115
" The storm is passing over us. Do you want to go to the bayou this night?” he asked softly, separating her hair deftly and beginning to weave it into a thick braid.
She loved the feel of his hands in her hair, his fingers massaging her scalp, tugging so gently on the thick length of braid. She reached up to place a palm over her bare shoulder, the exact spot where his lips had touched her. “I would love to go to the bayou with you.”
He smiled at her, his silver eyes molten mercury. “We can observe wildlife for a change. No vampires.”
“No weird society types,” she added.
“No mortals in need of rescuing,” Gregori said with intense satisfaction. “Get dressed.”
“You’re always taking my clothes off, then telling me to get dressed again,” Savannah complained with her infuriating smile, that little sexy one that drove him mad.
He turned her around to face him, caught the front of her shirt, and drew the gaping edges together to cover her tempting body. “You cannot expect me to dress you myself, do you?” he asked, leaning down to brush her lips with his. She actually felt her heart jump in response. Or maybe it was his heart. It was nearly impossible to tell the difference anymore. "
― Christine Feehan , Dark Magic (Dark, #4)
119
" Rincewind sighed, and padded around the base of the tower toward the Library.Towards where the Library had been. There was the arch of the doorway, and most of the walls were still standing, but a lot of the roof had fallen in and everything was blackened by soot.Rincewind stood and stared for a long time. Then he dropped the carpet and ran, stumbling and sliding through the rubble that half-blocked the doorway. The stones were still warm underfoot. Here and there the wreckage of bookcase still smouldered. Anyone watching would have seen Rincewind dart backward and forward across the shimmering heaps, scrabbling desperately among them, throwing aside charred furniture, pulling aside lumps of fallen roof with less than superhuman strength. They would have seen him pause once or twice to get his breath back, then dive in again, cutting his hands on shards of half molten glass from the dome of the roof. They would have noticed that he seemed to be sobbing.Eventually his questing fingers touched something warm and soft. The frantic wizard heaved a charred roof beam aside, scrabbled through a drift of fallen tiles and peered down. There, half squashed by the beam and baked brown by the fire, was a large bunch of overripe, squashy bananas. He picked one up, very carefully, and sat and watched it for some time until the end fell off.Then he ate it. "
