45
" Oh, what had she done?" He'd startled her; that was the problem. It was all his fault he was lying on the ground, looking rather cherub like, his blond hair curling about his ears, his bright blue eyes closed now, his masculine lips parted slightly as he slept the sleep of the dead.She studied his masculine lips. And thought just how much havoc she could wreak if she kissed him. Served him right for startling her so.Without analyzing whether she should do it, and just because she could, she pressed her mouth against his and gently kissed his lips, meaning only to give a quick peck and that was it.... His lips curved up under hers and for a second, she thought he was awake, smiling at her kissing him....Her thoughts reverted to the kiss and immediately the human faery tale Sleeping Beauty and the prince giving the princess a kiss to wake her sprang to mind. Why ever did humans make up such nonsense anyway? "
46
" The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks.
But Derek knew who they were.
“No! No!” he cried.
All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill.
One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank.
One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat.
Derek dropped to his knees.
Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape.
Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down.
“Don’t be stupid, Derek. We’re not after you.”
The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her.
When her mouth was sealed, the thugs pulled off their shooter’s earmuffs.
Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.”
“Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit.
“She’s a freak,” Hank said.
“She’s my little sister. This is our home.”
“She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.”
“Man, come on,” Derek pleaded. “She’s not hurting anyone.”
“It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.”
“All she does is—”
Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?”
“Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.”
He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?”
Derek’s resistance died.
“The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there.
Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon.
“Let me at least get her doll. "
― Michael Grant , Lies (Gone, #3)
48
" And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes." Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." " I know, Papa." He picks her up and spins her around three times. " Now," he says, " you're going to take us home." Her mouth drops open." I want you to think of the model, Marie." " But I can't possibly!" " I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." " I do not!" " You do." Exasperation. She cannot even say if the gardens are ahead or behind." Calm yourself, Marie. One centimeter at a time." " I'm far, Papa. Six blocks, at least." " Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. " Papa?" " I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass.Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest." It's so big," she whispers." You can do this, Marie." She cannot. "
51
" Was it a moment of indecision or was it a moment of redemption. Redemption long overdue and long unacknowledged? They didn’t know. He suddenly went at her mouth and she claimed it as if it was never supposed to be elsewhere.
It was stormy. It was fierce. His manhood shafted through his loose night pajamas challenging her even beyond the thickness of her bath robe, which was cast aside in one unsparing sweep of his hand, revealing the quavering ripeness of her fulsome breasts. After a moment of awe, he went at them with unquenched ferocity.
First he devoured her there itself, against the wall, on the carpet. Within moments their frenzied hands tore away each other’s underpants with unapologetic fury and then in one smooth motion of a dancer’s lucidity, he lifted her and like a great performer of an opera, placed her on the bed. The inviting altar of desire and passion and longing. Now as they claimed each other, there was unhurried fluidity in their motion. Tears of pain and love in their eyes. Ecstasy of carnal compatibility in their fusion. Symphony of sensuality in their strokes and when he finally exploded inside her, she had gone aflame with matching uncontrollability.
It was a heavenly union which in one go had robbed them of their beings, their earth, their universe, their past, their present, their future. In one instant, they had undone what was done and had done what was ‘not done’. "
― Vinod Pande
55
" And here is my sweet little Annamaria,’ she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; ‘And she is always so gentle and quiet—Never was there such a quiet little thing!’ But unfortunately in bestowing these embraces, a pin in her ladyship’s head dress slightly scratching the child’s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother’s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother’s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying. "
― Jane Austen , Sense and Sensibility
57
" POCKET-SIZED FEMINISM
The only other girl at the party
is ranting about feminism. The audience:
a sea of rape jokes and snapbacks
and styrofoam cups and me. They gawk
at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am guilty
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or my women’s studies class.
There are days I want people to like me
more than I want to change the world.
There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
at night and mace disguised as lipstick.
Once, I told a boy I was powerful
and he told me to mind my own business.
Once, a boy accused me of practicing
misandry. You think you can take
over the world? And I said No,
I just want to see it. I just need
to know it is there for someone.
Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another part of being a girl.
We text each other when we get home
safe and it does not occur to us that our
guy friends do not have to do the same.
You could saw a woman in half
and it would be called a magic trick.
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play. "
― Blythe Baird
58
" A startling thought this, that a woman could handle business
matters as well as or better than a man, a revolutionary thought to
Scarlett who had been reared in the tradition that men were
omniscient and women none too bright. Of course, she had
discovered that this was not altogether true but the pleasant
fiction still stuck in her mind. Never before had she put this
remarkable idea into words. She sat quite still, with the heavy
book across her lap, her mouth a little open with surprise,
thinking that during the lean months at Tara she had done a man's
work and done it well. She had been brought up to believe that a
woman alone could accomplish nothing, yet she had managed the
plantation without men to help her until Will came. Why, why, her
mind stuttered, I believe women could manage everything in the
world without men's help--except having babies, and God knows, no
woman in her right mind would have babies if she could help it. "
― Margaret Mitchell , Gone with the Wind
59
" He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature ...
We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak.
But we hear. "
― Susan Griffin , Woman and Nature: The Roaring Inside Her
60
" He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature.
And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.)
We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak.
But we hear. "
― Susan Griffin , Woman and Nature: The Roaring Inside Her
