62
" Walking along past the store windows, into which she peers with her usual eagerness, her usual sense that maybe, today, she will discover behind them something that will truly be worth seeing, she feels as if her feet are not on cement at all but on ice. The blade of the skate floats, she knows, on a thin film of water, which it melts by pressure and which freezes behind it. This is the freedom of the present tense, this sliding edge. "
― Margaret Atwood , Bluebeard's Egg
67
" Almondine
Eventually, she understood the house was keeping a secret from her.
All that winter and all through the spring Almondine had known something was going to happen, but no matter where she looked she couldn’t find it. Sometimes, when she entered a room, there was the feeling that the thing that was going to happen had just been there, and she would stop and pant and peer around while the feeling seeped away as mysteriously as it had arrived. Weeks might pass without a sign, and then a night would come, when, lying nose to tail beneath the window in the kitchen corner, listening to the murmur of conversation and the slosh and clink of dishes being washed, she felt it in the house again and she whisked her tail in long, pensive strokes across the baseboards and silently collected her feet beneath her and waited. When half an hour passed and nothing appeared, she groaned and sighed and rolled onto her back and waited to see if it was somewhere in her sleep. "
― David Wroblewski , The Story of Edgar Sawtelle
72
" One morning indeed, I felt a sudden misgiving that she not only had left the house but had gone for good: I had just heard the sound of a door which seemed to me to be that of her room. On tiptoe I crept towards the room, opened the door, stood upon the threshold. In the dim light the bedclothes bulged in a semi-circle, that must be Albertine who, with her body bent, was sleeping with her feet and face to the wall. Only, overflowing the bed, the hair upon that head, abundant and dark, made me realise that it was she, that she had not opened her door, had not stirred, and I felt that this motionless and living semi-circle, in which a whole human life was contained and which was the only thing to which I attached any value, I felt that it was there, in my despotic possession. "
― Marcel Proust , The Captive: Part 2
74
" Newsflash she already has body image issues.
It's an intrinsic part of being a woman. Every woman in the world has some part of herself that she absolutely hates.
Her hands are too small, her feet are too big, her hair is too straight, too curly, her ears stick out, her bums too flat, her nose is too big and, you know, nothing you can say will change how we feel.
What men don't understand is, the right clothes, the right shoes, the right makeup it just... It, it hides the flaws we think we have.
They make us look beautiful to ourselves.
That's what makes us look beautiful to others.
Used to be all she needed to feel beautiful was a pink tutu and a plastic tiara.
And we spend our whole lives trying to feel that way again. "
― Richard Castle
75
" If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore. "
― Francesca Lia Block , I Was a Teenage Fairy
76
" There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead. "
― , The Blind Faith Hotel
77
" Very gently Jacques lowered her feet to the ground, retaining possession of her waist to help her trembling legs hold her up. Shea raised a hand to push back her rain-slick hair. He caught her fingers and raised her palm to his mouth. “You are the most beautiful sight I have ever seen.”
She smiled, shook her head at him. “You’re crazy, you know that? This is one of the most magnificent lightning storms I’ve ever seen, and I didn’t even notice until now.”
He grinned at her suggestively, rubbed the bridge of his nose. “Says something.”
“Exactly,” she agreed. “You’re crazy, and I must be, too. "
― Christine Feehan , Dark Desire (Dark, #2)
80
" She'd first seen Covent Garden after a heavy snow, walking with her hand in Win's, and she remembers the secret silence of London then, the amazing hush of it, slush crunching beneath her feet and the sound made by trapezoidal sections of melting snow falling from wires overhead. Win had told her that she was seeing London as it had looked long ago, the cars mostly put away and the modern bits shrouded in white, allowing the outlines of something older to emerge. And what she had seen, that childhood day, was that it was not a place that consisted of buildings, side by side, as she thought of cities in America, but a literal and continuous maze, a single living structure (because still it grew) of brick and stone. "
― William Gibson , Pattern Recognition (Blue Ant, #1)