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1 " Well, obviously, she's feeling very sad, because of Cedric dying. Then I expect she's feeling confused because she liked Cedric and now she likes Harry, and she can't work out who she likes best. Then she'll be feeling guilty, thinking it's an insult to Cedric's memory to be kissing Harry at all, and she'll be worrying about what everyone else might say about her if she starts going out with Harry. And she probably can't work out what her feelings towards Harry are anyway, because he was the one who was with Cedric when Cedric died, so that's all very mixed up and painful. Oh, and she's afraid she's going to be thrown off the Ravenclaw Quidditch team because she's flying so badly." A slightly stunned silence greeted the end of this speech, then Ron said, " One person can't feel all that at once, they'd explode. "
2 " Writing had always helped her, before. It always clarified her feelings and her thoughts, and she never felt like she could understand something fully until the very minute that she'd written about it, as if each story was one she told herself and her readers, at the same time. "
― Lisa Scottoline , Look Again
3 " It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs. "
― Thomas Hardy , Far From the Madding Crowd
4 " Thus far, our responsibility for how we treat chickens and allow them to be treated in our culture is dismissed with blistering rhetoric designed to silence objection: “How the hell can you compare the feelings of a hen with those of a human being?” One answer is, by looking at her. It does not take special insight or credentials to see that a hen confined in a battery cage is suffering, or to imagine what her feelings must be compared with those of a hen ranging outside in the grass and sunlight. We are told that we humans are capable of knowing just about anything that we want to know—except, ironically, what it feels like to be one of our victims. We are told we are being “emotional” if we care about a chicken and grieve over a chicken’s plight. However, it is not “emotion” that is really under attack, but the vicarious emotions of pity, sympathy, compassion, sorrow, and indignity on behalf of the victim, a fellow creature—emotions that undermine business as usual. By contrast, such “manly” emotions as patriotism, pride, conquest, and mastery are encouraged. "
― Karen Davis , Prisoned Chickens Poisoned Eggs: An Inside Look at the Modern Poultry Industry
5 " Female castration results in concentration of her feelings upon her male companion, and her impotence in confrontations with her own kind. Because all her love is guided by the search for security, if not for her offspring then for her crippled and fearful self, she cannot expect to find it in her own kind, whom she knows to be weak and unsuitable. "
― Germaine Greer , The Female Eunuch
6 " Emma felt frightened, apprehensive, yes, but also elated and excited, her feelings all tumbled and mixed together like a stew of varied ingredients tossed into the same pot. She was aware of the blood coursing through her veins, the beat of her heart, the breath in her lungs. Was aware, too, of that clenched knot that hung in the pit of her stomach. This was what it was to be alive, to be at the edge, facing survival eye to eye, knowing, KNOWING, you would win. "
― Helen Hollick , The Forever Queen (Saxon #2)
7 " This was maybe the first time she’d done it when she’d felt the true intimacy of it. The first time she’d done it because she wanted to express her feelings for a guy in some new way she hadn’t before. The first time it meant something.The fact was, sex with a man she cared for was making all other sex pale in comparison. No wonder sex with Mike had been the best of her life from the very start—caring for him had been…destiny.Destiny in Destiny. "
― Toni Blake , Sugar Creek (Destiny, #2)
8 " He reflects on all the times he thought she wasn’t sure of her feelings for him, when perhaps she might’ve been taking a leisurely stroll across Elijah’s heart, leaving footprints behind that he’d never seen. "
― Christy A. Campbell , The Sharing Moon
9 " It was only at her prayers that she felt able to think calmly and clearly either of Prince Andrey or Anatole, with a sense that her feelings for them were as nothing compared with her feel of worship and awe of God. "
― Leo Tolstoy , War and Peace
10 " She asked another question: " What does it matter if the rhinos die out? Is it really important that they are saved?" This would normally have riled me... but I had come to think of her as Dr. Spock from Star Trek - an emotionless, purely logical creature, at least with regards to her feelings for animals. Like Spock, though, I knew there were one or two things that stirred her, so I gave an honest reply." ... to be honest, it doesn't matter. No economy will suffer, nobody will go hungry, no diseases will be spawned. Yet there will never be a way to place a value on what we have lost. Future children will see rhinos only in books and wonder how we let them go so easily. It would be like lighting a fire in the Louvre and watching the Mona Lisa burn. Most people would think 'What a pity' and leave it at that while only a few wept "
11 " Her endless, futile attempts to make her feelings known fell on stony ground. Slowly she retreated into the darkness where her dreams became reality and reality faded into the deep recesses of her soul.... "
― Virginia Alison
12 " She had been too well-trained to allow her emotions to take control of her at the time, but the feelings were too strong to quietly recede into a regimen of critical thought. Deep inside her they stewed, logic and reason slowly boiling off. Reduced to their essence, her feelings became more potent, condensed into an emotional certainty. I should have saved them. "
― Matt K. Turner , GENESIS
13 " Elizabeth had never been more at a loss to make her feelings appear what they were not. It was necessary to laugh, when she would rather have cried. "
― Jane Austen , Pride and Prejudice
14 " Every once in a while she'll get worked up and cry like that. But that's ok. She's letting her feelings out. The scary thing is not being able to do that. Then your feelings build up and harden and die inside. That's when you're in big trouble. "
― Haruki Murakami , Norwegian Wood
15 " She's been used to hiding her feelings for so long, no wonder her manner can be a little awkward. "
― Sophie Kinsella , Shopaholic Ties the Knot (Shopaholic, #3)
16 " If manifestations of her love are overwhelming and sometimes seem imprudent, it’s because the intensity of such caring doesn’t exist in other areas of life. Ma does not love from behind a protective shield. I’m incapable of opening up to people in the way she does. Ma isn’t afraid of being vulnerable and doesn’t measure relationships in terms of what she can gain. If her feelings are hurt, she doesn’t hide the pain or seek revenge. She stumbles over the setback as though it’s one of life’s quirky tests of fortitude and moves on without storing any resentment. "
17 " You could always call her secretive, masking her feelings beautifully lest anyone intrude into her inmost realm of hidden thoughts. It was a defense Urmila had evolved since childhood. "
― Kavita Kané , Sita's Sister
18 " Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet… "
― Fyodor Dostoevsky , Crime and Punishment
19 " Like a splendid mosaic of myriad colors, she in all her hues of sensitivity would paint her feelings in your mind’s gray skies. She was the butterfly making you run after her. She was the Zahir, a mirage that transcended borders and time-zones. "
20 " I had hardly ever seen Great Granny Webster at that time, and yet her feelings interested me. She was little more to me than the silhouette of a formidable old woman dressed in black who appeared occasionally at family gatherings and made us feel that she was taking a dangerous risk with her upright spine when circumstances forced her to bend over and kiss her great-grandchildren. "
― Caroline Blackwood , Great Granny Webster