83
" The best antidote to the furtive poison of anger, fear, anxiety, or any of our destructive, unwieldy passions, is just gratitude. And not the grandiose, boisterous or especially obvious kind. It is not necessarily the verbose or expressive kind. It's often the full immersion, a kind of deep submersion even, into a pool of awareness. This penitent affect distills within us surreal realizations; it is a focus, tinged with layers of deep remorse and the profound beauty of newfound appreciation that washes over us about the simplest things we have slipped into, or suddenly become aware of our own complacency over. This cooling antidote instantly soothes any veins swollen with the heat of pride, or stopped up with pearls of finely polished self-pity. This all comes about with a balm of humility that is simultaneously soothing and jolting to all of our senses at the same time. It is a cocktail both sedative and stimulant in the same, finite instant. It often occurs as we are halted dead in our tracks by a thing so extraordinary and breathtakingly natural, even luscious in its simplicity and unusually ordinary existence; often something we have been blatantly negligent of noticing as we routinely trudge past it in our self-absorbed haze. These are akin to the emotions one might feel as they finally notice the well-established antique rose garden, in full bloom; the same one they have walked by for years on their way to somewhere - but never noticed before. This is the feeling we get when our aging parent suddenly, in one moment, is 87 in our mind's eye - and not the steady 57, or eternal 37 we have determinedly seen our so loved one to be, out of purely wishful thinking born of the denial that only the truest love and devotion can begin to nurture - for the better of many decades. "
― Connie Kerbs , Paths of Fear: An Anthology of Overcoming Through Courage, Inspiration, and the Miracle of Love (Pebbled Lane Books Book 1)
85
" He slouches,' DeeDee contributes.'True--he needs to work on his posture,' Thelma says.'You guys,' I say.'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?''You guys. We are not getting married!''I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?''The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'I swat her. " I'm not having Mitchell's children!''I'm sorry--what?' Thelma says.Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!'Jolene turns beet red, and she and DeeDee dissolve into mad giggles.'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.'Okaaay, I think maybe I won't turn around,' I announce.A person of the male persuasion clears his throat.'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.'If you change your mind, we might be able to work something out,' the person of the male persuasion says.'About the children?' DeeDee asks. 'Or the turning around?''DeeDee!' Jolene says.'Both,' says the male-persuasion person.I shrink in my chair, but I raise my hand over my head and wave.'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'Warm fingers clasp my own.'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.''Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.'Did you see!' Thelma gasps. 'Did you see how proud he was?''You improve his posture!' Jolene says.'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.''I can't believe you waved at him,' DeeDee says.'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.''It was a surrender flag. I was surrendering myself to abject humiliation.''Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him. "
86
" As his people positioned themselves in and around the pass, Arin though that he might have misunderstood the Valorian addiction to war. He had assumed it was spurred by greed. By a savage sense of superiority. It had never occurred to him that Valorians also went to war because of love.
Arin loved those hours of waiting. The silent, brilliant tension, like scribbles of heat lightning. His city far below and behind him, his hand on a cannon's curve, ears open to the acoustics of the pass. He stared into it, and even though he smelled the reek of fear from men and women around him, he was caught in a kind of wonder.He felt so vibrant. As if his life was fresh, translucent, thin-skinned fruit. It could be sliced apart and he wouldn't care. Nothing felt like this. "
― Marie Rutkoski , The Winner's Curse (The Winner's Trilogy, #1)
90
" I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world. "
― John Cheever , The Journals of John Cheever
91
" She was a mimicry of a facade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean... "
95
" I remember one incident which bears upon this part of the treatise. The gentleman who gave it to me had asked to see my tobacco-pipe; he examined it carefully, and when he came to the little protuberance at the bottom of the bowl he seemed much delighted, and exclaimed that it must be rudimentary. I asked him what he meant." Sir," he answered, " this organ is identical with the rim at the bottom of a cup; it is but another form of the same function. Its purposes must have been to keep the heat of the pipe from marking the table upon which it rested. You would find, if you were to look up the history of tobacco-pipes, that in early specimens this protuberance was of a different shape to what it is now. It will have been broad at the bottom, and flat, so that while the pipe was being smoked the bowl might rest upon the table without marking it. Use and disuse must have come into play and reduced the function its present rudimentary condition. I should not be surprised, sir," he continued, " if, in the course of time, it were to become modified still farther, and to assume the form of an ornamental leaf or scroll, or even a butterfly, while in some cases, it will become extinct. "
99
" You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while. "
― Patrick Rothfuss , The Name of the Wind (The Kingkiller Chronicle, #1)
