103
" But until that happens -- and however brief a life, it will take a while -- there is a terrible, hateful interlude that belongs to us alone, and during which we have no alternative but to cope with what we have done or omitted to do and to distract or placate our feelings of guilt, and sometimes the only way of achieving this is to increase that guilt, to heap up new guilt to cover the old, to overshadow or blur or minimize it, until finally all guilt has passed and there isn't a soul in the world who can remember what we did, no quick, wicked tongue to talk about it, not even a tremulous finger to point us out as having been the cause of anything. "
― Javier Marías
105
" The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted. "
― Gary Inbinder , The Flower to the Painter
108
" I want to tell you why poetry is worth thinking about - from time to time. Not all the time. Sometimes it's a much better idea to think about other things.Most of us have a short period of intense thinking about poetry, when we take a class in college, and then that's about it. And that's really all you need. One intense time, when you master your little heap of names - Andrew Marvel, Muriel Rukeyser, Christina Rosetti, Hardy, Auden, Bishop, Marvin Bell, Ted Hughes, John Hollander, Nicholas Christopher, Deborah Garrison, whoever, James Wright, Selima Hill, Troy Jollimore. Whoever they may be. Every so often you remember them. If you've memorised some poems, the poems will raise a glimmering finger in your memory once in a while, and that's very nice, as long as you keep it to yourself. Never recite. Please! If you recite, your listeners will look down and play with their cuticles. They will not like you. But sometimes if you quote just a phrase in passing, that can work. Like this: " As Selima Hill says: 'A really good fuck makes me feel like custard. "
111
" Don’t get smart - you two are in a heap of trouble!” snarled Anderson. “Names!”
“Names?” repeated the long-haired driver. “Er — well, let’s see. There’s Wilberforce . . . Bathsheba . . . Elvendork . . .”
“And what’s nice about that one is, you can use it for a boy or a girl,” said the boy in glasses.
“Oh, our names, did you mean?” asked the first, as Anderson spluttered with rage. “You should’ve said! This here is James Potter, and I’m Sirius Black!”
“Things’ll be seriously black for you in a minute, you cheeky little — "
― J.K. Rowling , Harry Potter: The Prequel (Harry Potter, #0.5)
112
" That she made a point to eat only the gristliest chicken bits, the burned biscuits, the mealiest potatoes, while she complained that his children were, variously, weak-minded, hysterical or sickly, and seemed to imply that such afflictions were the result of the lack of a good piece of steak or a new bonnet, was only circumstance; were she installed on a throne at a twelve-course banquet table teaming with all of God's creatures brought from both air and field, trussed and roasted and swimming in their own succulent juices, she would heap her plate with the most exquisite victuals and lament that his feeble offspring were the way they were because they had it too well and what they really needed was a vat of cold porridge and a tureen full of dirt. "
― Paul Harding , Tinkers
114
" I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two.
Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland.
And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day. "
― Catherynne M. Valente , The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1)